{"id":1511,"date":"2009-04-24T12:17:00","date_gmt":"2009-04-24T16:17:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2009\/04\/24\/cannes-competitors-to-receive-online-showcase\/"},"modified":"2009-04-24T12:17:00","modified_gmt":"2009-04-24T16:17:00","slug":"cannes-competitors-to-receive-online-showcase","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2009\/04\/24\/cannes-competitors-to-receive-online-showcase\/","title":{"rendered":"Cannes Competitors To Receive Online Showcase"},"content":{"rendered":"<p>\t\t\t\t<a href=\"http:\/\/www.imdb.com\/news\/ni0757661\/\">Originally posted on imdb<\/a>:<\/p>\n<p>Gilles Jacob, president of the Cannes Film Festival, has offered the festival&#8217;s website as a showcase for the first five minutes of each of the 20 films participating in this year&#8217;s competition. In a statement, Jacob said that the traditional movie trailer &#8220;extinguishes all desire&#8221; while it has been suggested that great directors are at their best in the first and last reels. &#8220;Let&#8217;s hope that Internet users everywhere might drop their games and be tempted to rush to their nearest theater to find out what happens next,&#8221; he remarked. At a news conference, festival director Thierry Fremaux indicated that he expected the current worldwide economic crisis to have little effect on the festival. &#8220;We haven&#8217;t felt the slightest reluctance on anybody&#8217;s part, anyone saying &#8216;we have to watch out because of the crisis,'&#8221; he said, adding that Cannes would remain &#8220;the rendezvous for creators and the industry.&#8221;<\/p>\n<p>Here is a list of the films in competition this year:<\/p>\n<p>    * &#8220;Broken Embraces&#8221;, Pedro Almodovar<br \/>    * &#8220;Fish Tank&#8221;, Andrea Arnold<br \/>    * &#8220;A Prophet&#8221;, Jacques Audiard<br \/>    * &#8220;Vincere&#8221;, Dir: Marco Bellocchio<br \/>    * &#8220;Bright Star&#8221;, Jane Campion<br \/>    * &#8220;In the Beginning&#8221;, Xavier Giannoli<br \/>    * &#8220;Map of the Sounds of Tokyo&#8221;, Isabel Coixet<br \/>    * &#8220;The White Ribbon&#8221;, Michael Haneke<br \/>    * &#8220;Taking Woodstock&#8221;, Ang Lee<br \/>    * &#8220;Looking for Eric&#8221;, Ken Loach<br \/>    * &#8220;Spring Fever&#8221;, Lou Ye<br \/>    * &#8220;Kinatay&#8221;, Brillante Mendoza<br \/>    * &#8220;Enter The Void&#8221;, Gasper Noe<br \/>    * &#8220;Thirst&#8221;, Park Chan-wook<br \/>    * &#8220;Les Herbes Foilles&#8221;, Alain Resnais<br \/>    * &#8220;The Time That Remains&#8221;, Elia Suleiman<br \/>    * &#8220;Inglourious Basterds&#8221;, Quentin Tarantino<br \/>    * &#8220;Vengeance&#8221;, Johnnie To<br \/>    * &#8220;Face&#8221;, Tsai Ming-liang<br \/>    * &#8220;Antichrist&#8221;, Lars von Trier\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Originally posted on imdb: Gilles Jacob, president of the Cannes Film Festival, has offered the festival&#8217;s website as a showcase for the first five minutes of each of the 20 films participating in this year&#8217;s competition. In a statement, Jacob said that the traditional movie trailer &#8220;extinguishes all desire&#8221; while it has been suggested that [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,22],"tags":[133,136,149],"class_list":["post-1511","post","type-post","status-publish","format-standard","hentry","category-recommendations","category-streaming-video","tag-film-studies","tag-filmmakers","tag-fun"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/1511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=1511"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/1511\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=1511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=1511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=1511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}