{"id":209,"date":"2016-05-24T13:38:00","date_gmt":"2016-05-24T17:38:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2016\/05\/24\/an-intro-to-double-palme-dor-winner-ken-loach\/"},"modified":"2016-05-24T13:38:00","modified_gmt":"2016-05-24T17:38:00","slug":"an-intro-to-double-palme-dor-winner-ken-loach","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2016\/05\/24\/an-intro-to-double-palme-dor-winner-ken-loach\/","title":{"rendered":"An intro to double Palme d&#8217;Or winner Ken Loach"},"content":{"rendered":"<div style=\"clear: both;text-align: center\"><a href=\"https:\/\/www.theguardian.com\/film\/filmblog\/2016\/may\/23\/ken-loach-i-daniel-blakes-shock-cannes-palme-d-or\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"225\" src=\"https:\/\/2.bp.blogspot.com\/-QNJDjyMVWbk\/V0SPoQqS40I\/AAAAAAAACV4\/YoY-1Jw7h48ji87Nt_pwrDsFFX6AzXEuwCLcB\/s400\/loach.jpg\" width=\"400\" \/><\/a><\/div>\n<p>In a choice that shocked many critics, director Ken Loach won the Palme d&#8217;Or at this year&#8217;s Cannes Film Festival for <i>I, Daniel Blake<\/i>, a drama about a carpenter fighting for disability benefits. This is Loach&#8217;s second Palme d&#8217;Or (a rare feat) after his 2006 Irish War of Independence film <i>The Wind That Shakes the Barley<\/i>. Already, film critics are debating whether his newest work is too &#8220;<a href=\"https:\/\/www.theguardian.com\/film\/filmblog\/2016\/may\/23\/ken-loach-i-daniel-blakes-shock-cannes-palme-d-or\">aggressively Loachian<\/a>.&#8221;<\/p>\n<p>&#8230;but what does that mean? If you aren&#8217;t familiar with social advocacy British cinema, you may not have encountered the director before. Ken Loach&#8217;s films tend to address issues like welfare and labor with a focus on the realistic living conditions of the individuals affected. His 1969 film <i>Kes<\/i>, about a delinquent child with minimal family support who befriends a falcon, has often been considered one of the greatest British films of all time.<\/p>\n<p>By all descriptions, <i>I, Daniel Blake<\/i> fits that mold for good or for ill; the filmmaker&#8217;s work has been criticized as maudlin and unsubtle at its worst. We have a bunch of Loach&#8217;s films in our collection \u2013 he&#8217;s been active for six decades after all \u2013 so you can judge for yourself.<\/p>\n<p>Sweet Sixteen \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=5985790\">HU DVD 1133<\/a><br \/>Bread &amp; Roses \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=6860784\">HU DVD 2619 <\/a><br \/>The Navigators \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=6860783\">HU DVD 2653<\/a> <br \/>The Wind That Shakes the Barley \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7064833\">HU DVD 3374<\/a><br \/>The Spirit of &#8217;45 \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=13236684\">HU DVD 7594<\/a><br \/>Kes \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=8884150\">HU DVD 8370<\/a><br \/>Ae Fond Kiss&#8230; \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=9026911\">HU DVD 8803 <\/a><br \/>Raining Stones \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=12228415\">HU DVD 10683<\/a><\/p>\n<p>Great Directors (interview with Loach) \u2013 <a href=\"http:\/\/proxyau.wrlc.org\/login?url=http:\/\/american.kanopystreaming.com\/node\/114100\">Streaming video<\/a>\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a choice that shocked many critics, director Ken Loach won the Palme d&#8217;Or at this year&#8217;s Cannes Film Festival for I, Daniel Blake, a drama about a carpenter fighting for disability benefits. This is Loach&#8217;s second Palme d&#8217;Or (a rare feat) after his 2006 Irish War of Independence film The Wind That Shakes the [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,19],"tags":[355],"class_list":["post-209","post","type-post","status-publish","format-standard","hentry","category-directors","category-recommendations","tag-timely-things"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/209\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}