{"id":240,"date":"2016-03-22T15:28:00","date_gmt":"2016-03-22T19:28:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2016\/03\/22\/screening-room-wants-you-to-watch-new-movies-at-home-and-not-everyones-on-board\/"},"modified":"2016-03-22T15:28:00","modified_gmt":"2016-03-22T19:28:00","slug":"screening-room-wants-you-to-watch-new-movies-at-home-and-not-everyones-on-board","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2016\/03\/22\/screening-room-wants-you-to-watch-new-movies-at-home-and-not-everyones-on-board\/","title":{"rendered":"Screening Room wants you to watch new movies at home, and not everyone&#8217;s on-board"},"content":{"rendered":"<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto;margin-right: auto;text-align: center\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/1.bp.blogspot.com\/-WRYms6eV_R4\/VvGb6KA4cvI\/AAAAAAAACOg\/gsWj7EhY69U-rK7ZhKSisv7fltUrxB8Kw\/s1600\/regal.jpg\" style=\"margin-left: auto;margin-right: auto\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"240\" src=\"https:\/\/1.bp.blogspot.com\/-WRYms6eV_R4\/VvGb6KA4cvI\/AAAAAAAACOg\/gsWj7EhY69U-rK7ZhKSisv7fltUrxB8Kw\/s320\/regal.jpg\" width=\"320\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\n<div>photo by <a href=\"https:\/\/www.flickr.com\/photos\/mr_t_in_dc\/\">Mr.TinDC<\/a> via Flickr<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Years ago, <a href=\"http:\/\/aulibmedia.blogspot.com\/2013\/08\/have-35000-to-spend-ultimate-streaming.html\">we mentioned PRIMA Cinema<\/a>, the absurdly expensive streaming device that requires a home inspection and, for $500 a pop, allows you to watch first-run Hollywood movies. This was mostly intended as a way for the Jay Lenos of the world to see <i>The Force Awakens<\/i> in the comfort of their home, something far beyond most people&#8217;s reach. The selective audience and high price meant that PRIMA Cinema didn&#8217;t eat into box office revenue too much, so everyone sat well with that.<\/p>\n<p>But a new, similar fight has been brewing in the past several weeks with <a href=\"https:\/\/www.thewrap.com\/whats-so-great-about-screening-room-the-inside-story-of-sean-parkers-day-and-date-system\/\">the proposal of Screening Room<\/a>, a more budget-minded version of PRIMA Cinema for the average consumer. Tech entrepreneur Sean Parker (played by Justin Timberlake in <i>The Social Network<\/i>) has been shopping the idea around to studios and distributors, gaining high-profile support from J. J. Abrams, Steven Spielberg, Martin Scorsese, and other film icons.<\/p>\n<p><a href=\"http:\/\/www.vulture.com\/2016\/03\/sean-parker-screening-room-james-cameron.html\">Not everyone agrees with the conecpt, though<\/a>, especially not the theaters that depend on a cut of movie revenue. Only AMC has expressed support for the idea, with seemingly all other theater chains and organizations disavowing the concept for understandable business reasons. Mega-directors James Cameron and Christopher Nolan have also objected to Screening Room, citing not just piracy and abuse but the need to preserve the experience of seeing a movie in theaters.<\/p>\n<p>That may be the strongest argument against this type of idea. With the appeal of cramming into a theater on opening weekend with dozens of people equally excited to watch a new movie on a huge screen, would you really prefer to have to see the next <i>Captain America<\/i> in your living room? Many people might not care, but for all the convenience of home viewing, film is strongest as a communal experience.\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>photo by Mr.TinDC via Flickr Years ago, we mentioned PRIMA Cinema, the absurdly expensive streaming device that requires a home inspection and, for $500 a pop, allows you to watch first-run Hollywood movies. This was mostly intended as a way for the Jay Lenos of the world to see The Force Awakens in the comfort [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[86,212],"class_list":["post-240","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-controversial","tag-links-of-interest"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=240"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/240\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}