{"id":252,"date":"2016-02-23T10:54:00","date_gmt":"2016-02-23T15:54:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2016\/02\/23\/rip-douglas-slocombe-prolific-indiana-jones-cinematographer\/"},"modified":"2016-02-23T10:54:00","modified_gmt":"2016-02-23T15:54:00","slug":"rip-douglas-slocombe-prolific-indiana-jones-cinematographer","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2016\/02\/23\/rip-douglas-slocombe-prolific-indiana-jones-cinematographer\/","title":{"rendered":"RIP Douglas Slocombe, prolific Indiana Jones cinematographer"},"content":{"rendered":"<div style=\"clear: both;text-align: center\"><a href=\"http:\/\/deadline.com\/2016\/02\/douglas-slocombe-dead-indiana-jones-cinematographer-1201707041\/\" style=\"clear: right;float: right;margin-bottom: 1em;margin-left: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"https:\/\/1.bp.blogspot.com\/-3kar_hkB5Mk\/VsxturbsHXI\/AAAAAAAACLU\/fNJx3qiTfs4\/s200\/slocombe.jpg\" width=\"158\" \/><\/a><\/div>\n<p>Douglas Slocombe, one of the most adaptable cinematographers of the mid-20th century, <a href=\"http:\/\/deadline.com\/2016\/02\/douglas-slocombe-dead-indiana-jones-cinematographer-1201707041\/\">died yesterday at 103<\/a>.<\/p>\n<p>Unlike many cinematographers with a distinctive or showy style, Slocombe filmed his projects so closely to the vision of the material that his work was often almost invisible. His far-flung credits are a testament to how smoothly he fit into whatever slot he needed to fill: he began as a photojournalist and director of photography for 1940s and 1950s British comedies; he ended his career filming the <i>Indiana Jones<\/i> trilogy.<\/p>\n<p>Slocombe retired in 1989, leaving behind films ranging from <i>Jesus Christ Superstar<\/i> to James Bond movie <i>Never Say Never Again<\/i>. We never even knew he had a hand in much of his filmography, which, given his style, might have been the goal all along.<\/p>\n<p>Slocombe accrued a whopping 80 cinematography credits in 50 years, so we of course have a few in our collection. You might not see a signature Douglas Slocombe stamp on these films, but you&#8217;ll certainly see a well-shot movie.<\/p>\n<p>The Man in the White Suit \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=4192040\">HU DVD 583<\/a><br \/>The Great Gatsby (1974) \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=5720555\">HU DVD 722<\/a><br \/>Raiders of the Lost Ark \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7004930\">HU DVD 3251<\/a><br \/>Indiana Jones and the Temple of Doom \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7004940\">HU DVD 3252<\/a><br \/>Indiana Jones and the Last Crusade \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7004942\">HU DVD 3253<\/a><br \/>A Run For Your Money \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7287697\">HU DVD 3923<\/a><br \/>The Titfield Thunderbolt \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7287699\">HU DVD 3925<\/a><br \/>The Lion in Winter \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7550674\">HU DVD 5348 <\/a><br \/>Jesus Chris Superstar \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7659431\">HU DVD 5769 <\/a><br \/>The Fearless Vampire Killers \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7800898\">HU DVD 6513<\/a><br \/>The Italian Job (1969) \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=11865246\">HU DVD 10373<\/a><br \/>The Maids \u2013 <a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=12346277\">HU DVD 10823 <\/a>\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Douglas Slocombe, one of the most adaptable cinematographers of the mid-20th century, died yesterday at 103. Unlike many cinematographers with a distinctive or showy style, Slocombe filmed his projects so closely to the vision of the material that his work was often almost invisible. His far-flung credits are a testament to how smoothly he fit [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[80,290],"class_list":["post-252","post","type-post","status-publish","format-standard","hentry","category-obituaries","tag-cinematography","tag-related-movies"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=252"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/252\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}