{"id":4958,"date":"2025-10-01T15:57:50","date_gmt":"2025-10-01T19:57:50","guid":{"rendered":"https:\/\/blogs.library.american.edu\/mediaservices\/?p=4958"},"modified":"2025-10-01T15:59:26","modified_gmt":"2025-10-01T19:59:26","slug":"new-acquisitions-15","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2025\/10\/01\/new-acquisitions-15\/","title":{"rendered":"New Acquisitions"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Anora (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image is-resized size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/1-min.png\" alt=\"A man and a woman told each other against a bright city at night.\" class=\"wp-image-4960\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Sean Baker<\/p>\n\n\n\n<p>Anora, a stripper from Brooklyn, meets Vanya, the son of a wealthy Russian oligarch, and spends a whirlwind weekend with him culminating in an impulsive wedding in Las Vegas. When the news of their marriage reaches Vanya&#8217;s parents, they become enraged and seek to annul the marriage by any means necessary. <em>Anora <\/em>is one of the most acclaimed films of 2024, having won five Academy awards and the Palme d&#8217;Or at the Cannes Film Festival.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1sph5q5\/alma99187073436204102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Civil War (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/2-min.png\" alt=\"A woman poses with a camera in a dimly lit room with tripods in the background.\" class=\"wp-image-4961\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Alex Garland<\/p>\n\n\n\n<p><em>Civil War<\/em> imagines a not-so-distant future in which the United States government, led by an authoritarian third-term president, is at war with secessionist factions. As the &#8220;Western Forces&#8221; faction approaches closer to D.C.,  several journalists plan to interview the president before it&#8217;s too late. The film explores the irrationality of human nature, causing even the best of us to resort to violence once society&#8217;s basic structures collapse.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436504102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The Substance (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/3-min.png\" alt=\"A younger woman hovers over the face of an older woman lying on the floor of a dark room.\" class=\"wp-image-4962\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Coralie Fargeat<\/p>\n\n\n\n<p>What would you sacrifice for another shot at youth? After she is fired from her own TV show on the basis of her age, 50-year-old Elisabeth Sparkle buys a black market drug called &#8220;The Substance&#8221;, which promises a younger and more beautiful version of the consumer. Elisabeth&#8217;s vain pursuit leads to irreversible consequences far beyond her expectations.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436304102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sinners (2025)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/4-min.png\" alt=\"A group of six people stand back in fear, some holding weapons, all looking toward the same direction.\" class=\"wp-image-4963\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Ryan Coogler<\/p>\n\n\n\n<p>Set in 1932, Twin brothers and World War I veterans Elijah and Elias return to their hometown of Clarksdale, Mississippi to open a juke joint (a bar with a jukebox and an area for dancing). Their plans take a backseat when a performer unknowingly summons supernatural spirits on the bar&#8217;s opening night. If horror isn&#8217;t your thing, don&#8217;t let that stop you from giving the movie a try; <em>Sinners <\/em>offers a deeper commentary on how systems of oppression have affected identity in Black American history.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436304102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The Wild Robot (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/5-min.png\" alt=\"An animated scene of a robot sticking its arms out, mirroring the group of birds flying around it.\" class=\"wp-image-4964\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Chris Sanders<\/p>\n\n\n\n<p>A curious robot called Roz becomes stranded on an uninhabited island after a disastrous shipwreck. Initially, she struggles to become accepted by the surrounding wildlife on the island, with some even attempting to attack her. In the midst of this attack, she crushes all but one egg in a goose nest, which she becomes determined to protect and raise as her own. <\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436104102\" data-type=\"link\" data-id=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436104102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>I&#8217;m Still Here (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/6-min.png\" alt=\"A middle-aged woman stares out of the window of a car.\" class=\"wp-image-4965\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><strong>Directed by:<\/strong> Walter Salles<\/p>\n\n\n\n<p>In a politically unstable 1970s Brazil, Rubens Paiva is suddenly arrested and disappeared by the government in a military raid of his home. The movie focuses on the perspective of his wife, Eunice Paiva who is forced to solely provide for her five children while grappling with her husband&#8217;s mysterious disappearance for the rest of her life.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436004102\" data-type=\"link\" data-id=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436004102\" target=\"_blank\" rel=\"noreferrer noopener\">Available on DVD<\/a><\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The Apprentice (2024)<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1727\" height=\"971\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/the-apprentice-1-min.png\" alt=\"Two men sit in the backseat of a car. The older man on the left, gazes intently at the younger man, who is in the middle of a telephone call.\" class=\"wp-image-4970\" style=\"width:620px;height:auto\" \/><\/figure>\n\n\n\n<p><em>The Apprentice<\/em> follows a young Donald Trump trying to make a name for himself in the real estate business. Infamous lawyer Roy Cohn, seeing potential in the young businessman, takes him as his protege, and transforms him into the notorious figure he is today.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/1ncanq5\/alma99187073436404102\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">I Saw the TV Glow (2024)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1560\" height=\"1040\" src=\"https:\/\/blogs.library.american.edu\/mediaservices\/wp-content\/uploads\/sites\/6\/2025\/09\/tvglow.jpg\" alt=\"Teenager looking sideways at another teen engrossed in TV\" class=\"wp-image-4975\" style=\"width:620px\" \/><\/figure>\n\n\n\n<p><strong>Directed by: <\/strong>Jane Schoenbrun<\/p>\n\n\n\n<p>In this psychological horror drama, teenagers Owen and Maddy bond over a mysterious late-night TV show. But soon, they begin to question their suburban reality and their identities.<\/p>\n\n\n\n<p><a href=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/17bm925\/alma99187073436604102\" data-type=\"link\" data-id=\"https:\/\/wrlc-amu.primo.exlibrisgroup.com\/permalink\/01WRLC_AMU\/17bm925\/alma99187073436604102\"><strong>Available on Blu-ray<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Check out our newly-acquired DVDs, including Anora (2024), The Substance (2024), Sinners (2025), and more!<\/p>\n","protected":false},"author":99,"featured_media":4963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430,16],"tags":[],"class_list":{"0":"post-4958","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-collection-highlights","8":"category-new-acquisitions","10":"post-with-thumbnail","11":"post-with-thumbnail-large"},"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/4958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=4958"}],"version-history":[{"count":11,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/4958\/revisions"}],"predecessor-version":[{"id":5100,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/4958\/revisions\/5100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media\/4963"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=4958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=4958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=4958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}