{"id":653,"date":"2013-05-15T11:02:00","date_gmt":"2013-05-15T15:02:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2013\/05\/15\/big-names-in-cinema-compete-at-cannes-2013\/"},"modified":"2013-05-15T11:02:00","modified_gmt":"2013-05-15T15:02:00","slug":"big-names-in-cinema-compete-at-cannes-2013","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2013\/05\/15\/big-names-in-cinema-compete-at-cannes-2013\/","title":{"rendered":"Big names in cinema compete at Cannes 2013"},"content":{"rendered":"<div style=\"clear: both;text-align: center\"><a href=\"http:\/\/www.nytimes.com\/2013\/05\/15\/arts\/15iht-ccannes15.html\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"240\" src=\"http:\/\/4.bp.blogspot.com\/-uG5-M_HnBis\/UZOjW_jjtuI\/AAAAAAAAAlY\/Y-Wh1fWt0ko\/s400\/Ryan-Gosling-in-Only-God--010.jpg\" width=\"400\" \/><\/a><\/div>\n<p>Today marks the start of the Cannes Film Festival, widely considered one of film&#8217;s most elite and prestigious events. Despite some <a href=\"http:\/\/www.nytimes.com\/2013\/05\/15\/arts\/15iht-ccannes15.html\">concerns about the festival&#8217;s secrecy, ballooning size, and demographics<\/a>, Cannes is still the gold standard for festivals, and its top prize, the Palme d&#8217;Or, remains one of the highest awards a filmmaker can receive.<\/p>\n<p>Appearing in competition at Cannes is an honor in itself. It&#8217;s also great for a film&#8217;s publicity: you might recognize some of last years entrants, including <i>Amour<\/i>, <i>Holy Motors<\/i>, <i>Moonrise Kingdom<\/i>, <i>Cosmopolis<\/i>, <i>Killing Them Softly<\/i>, and <i>On the Road<\/i>. This year holds some interesting surprises, including the next films from the Coen brothers and <i>Drive<\/i> director Nicolas Winding Refn.<\/p>\n<p>Given Cannes&#8217;s storied seven-decade history, we have a large number of the festival&#8217;s winners. Read past the break for a full list of our Cannes-winning DVDs. <br \/><a name='more'><\/a><\/p>\n<p>Rome, Open City (1946) \u2013 HU DVD 9411<br \/>Brief Encounter (1946) \u2013 HU DVD 4233<br \/>The Third Man (1949) \u2013 HU DVD 48<br \/>The Tragedy of Othello: The Moor of Venice (1952) \u2013 DVD 74<br \/>The Wages of Fear (1953) \u2013 HU DVD 4380<br \/>Marty (1955) \u2013 HU DVD 5178<br \/>The Cranes Are Flying (1958) \u2013 HU DVD 6850<br \/>Black Orpheus (1959) \u2013 HU DVD 1503<br \/>The Sweet Life (1960) \u2013 HU DVD 1145<br \/>Viridiana (1961) \u2013 HU DVD 5159<br \/>The Leopard (1963) \u2013 HU DVD 825<br \/>The Umbrellas of Cherbourg (1964) \u2013 HU DVD 302<br \/>A Man and a Woman (1966) \u2013 HU DVD 3506<br \/>Blowup (1967) \u2013 HU DVD 608<br \/>If&#8230;. (1969) \u2013 HU DVD 4310<br \/>M*A*S*H (1970) \u2013 HU DVD 4978<br \/>Scarecrow (1973) \u2013 HU DVD 5503<br \/>The Conversation (1974) \u2013 HU DVD 527<br \/>Taxi Driver (1976) \u2013 HU DVD 904<br \/>Padre Padrone (1977) \u2013 HU DVD 1437<br \/>The Tree of Wooden Clogs (1978) \u2013 HU DVD 1433<br \/>Apocalypse Now (1979) \u2013 HU DVD 27<br \/>The Tin Drum (1979) \u2013 HU DVD 40<br \/>All That Jazz (1980) \u2013 HU DVD 668<br \/>Kagemusha: The Shadow Warrior (1980) \u2013 HU DVD 7274<br \/>Man of Iron (1981) \u2013 HU DVD 3145<br \/>Missing (1982) \u2013 HU DVD 1884<br \/>The Ballad of Narayama (1983) \u2013 HU DVD 3292<br \/>Paris, Texas (1984) \u2013 HU DVD 3348<br \/>When Father Was Away on Business (1985) \u2013 HU DVD 1372<br \/>The Mission (1986) \u2013 HU DVD 1664<br \/>Sex, Lies, and Videotape (1989) \u2013 HU DVD 383<br \/>Wild at Heart (1990) \u2013 HU DVD 6505<br \/>Barton Fink (1991) \u2013 HU DVD 1877<br \/>The Best Intentions (1992) \u2013 HU DVD 7686<br \/>Farewell My Concubine (1993) \u2013 HU DVD 436<br \/>The Piano (1993) \u2013 HU DVD 63<br \/>Pulp Fiction (1994) \u2013 HU DVD 1244<br \/>Underground (1995) \u2013 DVD 1342<br \/>Secrets &amp; Lies (1996) \u2013 DVD 5230<br \/>Taste of Cherry (1997) \u2013 HU DVD 10375<br \/>The Eel (1997) \u2013 HU DVD 438<br \/>Eternity and a Day (1998) \u2013 HU DVD 10674<br \/>Dancer in the Dark (2000) \u2013 HU DVD 285<br \/>The Son&#8217;s Room (2001) \u2013 HU DVD 585<br \/>The Pianist (2002) \u2013 HU DVD 1794<br \/>Elephant (2003) \u2013 HU DVD 790<br \/>Fahrenheit 9\/11 (2004) \u2013 HU DVD 775<br \/>The Child (2005) \u2013 HU DVD 2122<br \/>The Wind That Shakes the Barley (2006) \u2013 HU DVD 3374<br \/>4 Months, 3 Weeks and 2 Days (2007) \u2013 HU DVD 4651<br \/>The Class (2008) \u2013 HU DVD 6099<br \/>The White Ribbon (2009) \u2013 HU DVD 7139<br \/>Uncle Boonmee Who Can Recall His Past Lives (2010) \u2013 HU DVD 9029<br \/>The Tree of Life (2011) \u2013 HU DVD 9230\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today marks the start of the Cannes Film Festival, widely considered one of film&#8217;s most elite and prestigious events. Despite some concerns about the festival&#8217;s secrecy, ballooning size, and demographics, Cannes is still the gold standard for festivals, and its top prize, the Palme d&#8217;Or, remains one of the highest awards a filmmaker can receive. [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[212,290,355],"class_list":["post-653","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-links-of-interest","tag-related-movies","tag-timely-things"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/653\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}