{"id":93,"date":"2017-06-06T12:51:00","date_gmt":"2017-06-06T16:51:00","guid":{"rendered":"http:\/\/blogs.library.american.edu\/mediaservices\/2017\/06\/06\/the-phantom-image\/"},"modified":"2017-06-06T12:51:00","modified_gmt":"2017-06-06T16:51:00","slug":"the-phantom-image","status":"publish","type":"post","link":"https:\/\/blogs.library.american.edu\/mediaservices\/2017\/06\/06\/the-phantom-image\/","title":{"rendered":"The Phantom Image"},"content":{"rendered":"<p>\t\t\t\tIn the <i>TLS<\/i>, Martin Scorsese responds to a review of his film&nbsp;<i>Silence<\/i>. His article, &#8220;<a href=\"http:\/\/www.the-tls.co.uk\/articles\/public\/film-making-martin-scorsese\/\" target=\"_blank\" rel=\"noopener noreferrer\">Standing up for cinema<\/a>,&#8221; lives up to its title: it stands up for a much maligned creative process, and an undervalued creative product. Scorsese makes many good points, in so many beautiful lines. Definitely worth a read.<\/p>\n<div style=\"clear: both;text-align: center\"><a href=\"https:\/\/2.bp.blogspot.com\/-3sTpZ8GUWcM\/WTbW6k7U2cI\/AAAAAAAAAZE\/E9ClNNZ8YI8mKW_jtbysrlBgb9IhhxtqwCLcB\/s1600\/elevator.gif\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"224\" src=\"https:\/\/2.bp.blogspot.com\/-3sTpZ8GUWcM\/WTbW6k7U2cI\/AAAAAAAAAZE\/E9ClNNZ8YI8mKW_jtbysrlBgb9IhhxtqwCLcB\/s320\/elevator.gif\" width=\"320\" \/><\/a><\/div>\n<p>If you feel inspired, here are the films he mentions:<\/p>\n<div><\/p>\n<ul>\n<li>Battleship Potemkin (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=3472508\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 43<\/a>)<\/li>\n<li>Lawrence of Arabia (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=16652098\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 3935<\/a>)<\/li>\n<li>The Searchers (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=6552726\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 1808<\/a>)<\/li>\n<li>The Shining (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=6659854\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 2168<\/a>)<\/li>\n<li>There Will Be Blood (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=9062581\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 4196<\/a>)<\/li>\n<li>Marketa Lazarov\u00e1 (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=12947706\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 2904<\/a>)<\/li>\n<li>The Life and Death of Colonel Blimp (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=7344011\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 4225<\/a>)<\/li>\n<li>2001: A Space Odyssey (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=6535962\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 1817<\/a>)<\/li>\n<li>Greed (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=529652\" target=\"_blank\" rel=\"noopener noreferrer\">DVD 7490, Library Use Only<\/a>)<\/li>\n<li>Strangers on a Train (<a href=\"http:\/\/catalog.wrlc.org\/cgi-bin\/Pwebrecon.cgi?BBID=3994556\" target=\"_blank\" rel=\"noopener noreferrer\">HU DVD 339<\/a>)<\/li>\n<\/ul>\n<\/div>\n<div><span><i><br \/><\/i><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the TLS, Martin Scorsese responds to a review of his film&nbsp;Silence. His article, &#8220;Standing up for cinema,&#8221; lives up to its title: it stands up for a much maligned creative process, and an undervalued creative product. Scorsese makes many good points, in so many beautiful lines. Definitely worth a read. If you feel inspired, [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[46,302],"class_list":["post-93","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-article","tag-scorsese"],"_links":{"self":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":0,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/posts\/93\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/media?parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/categories?post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.american.edu\/mediaservices\/wp-json\/wp\/v2\/tags?post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}