academy awards – Page 2 – Media Services News

Everything is Oscars! See the Academy Award nominees that have hit DVD

Earlier today, the Academy of Motion Picture Arts and Sciences announced the nominations for this year’s Oscars ceremony. It’s a solid if unsurprising list: Birdman and Boyhood earned big nods, and Jake Gyllenhaal is sadly nowhere in sight. For a full list of nominees that you’ll have to start learning the names of, check out … Continue reading “Everything is Oscars! See the Academy Award nominees that have hit DVD”

Earlier today, the Academy of Motion Picture Arts and Sciences announced the nominations for this year’s Oscars ceremony. It’s a solid if unsurprising list: Birdman and Boyhood earned big nods, and Jake Gyllenhaal is sadly nowhere in sight. For a full list of nominees that you’ll have to start learning the names of, check out the Washington Post’s list.

(ADDENDUM: One of our staff members points out that this is the whitest and most male Oscar ceremony in decades. No women are nominated in the major awards outside of the actress categories; Iñárritu is the only person of color in those categories. Somewhat a letdown considering the diversity among directors and writers this year.)

Most of the nominated films were released in the last few months, as tends to happen for award-seeking movies, so very few are available on DVD yet. We have a few in process (Boyhood, Gone Girl, and Guardians of the Galaxy are on their way…), but a handful of the foreign and documentary films have already seen home video release. And to be honest, those are the ones you probably needed to watch anyway.

There’ll probably be repertoire theaters replaying some of the nominees in the coming weeks, but if you find yourself in the library, consider watching these award contenders in advance of the big ceremony.

The Grand Budapest Hotel – HU DVD 11444
Nominated for Best Picture, Best Director, Best Cinematography, Best Costume Design, Best Original Screenplay, Best Original Score, Best Makeup and Hairstyling, Best Production Design

The Lego Movie – HU DVD 11466
Nominated for Best Original Song

Ida – HU DVD 11538
Nominated for Best Cinematography, Best Foreign Language Film

Finding Vivian Maier – HU DVD 11547
Nominated for Best Documentary Feature

Maleficent – HU DVD 11584
Nominated for Best Costume Design

What you won’t see at the Oscars this Sunday

We love the Oscars, but we admit that they’re imperfect. With the ceremony only three days away, it’s time to be a little critical. The Academy frequently overlooks specific types of films that, in retrospect, we often consider to be some of the greatest. Comedies, for the most part, are rarely nominated and win even … Continue reading “What you won’t see at the Oscars this Sunday”

Comedies, for the most part, are rarely nominated and win even less frequently. There are countless articles belaboring this point, but we’ll let this summary from The Atlantic do the talking. With the exception of the occasional quirky dramedy, comedy films almost never receive nods for the top awards. Of the nine films nominated for Best Picture this year, only American Hustle and The Wolf of Wall Street could be considered comedies – and that’s pushing the definition. While we would never expect something like The Hangover to go home with Oscar gold, classic comedies including Blazing Saddles, Airplane!, and This is Spinal Tap have all left the Oscars without any recognition. This is arguably the Academy Awards’ greatest repeated oversight.

Relatedly, the Academy also has a habit of overlooking films about youth. This year’s acting snub for Greta Gerwig in Frances Ha is part of a long tradition of ignoring coming-of-age stories. Outside of perhaps The Graduate and American Graffiti, it is difficult to find a single film about young people that the Academy loved; now-legendary director John Hughes was never once nominated for his filmography that includes The Breakfast Club and Ferris Bueller’s Day Off, and Truffaut’s groundbreaking The 400 Blows was not nominated for a Best Foreign Language Film award. Considering how often the Academy tips its hat to out-of-the-way gems like Nebraska, the repeated omission of youth stories is conspicuous.

These are perhaps another indication that the Oscars are never a good indicator of long-term acclaim. Or maybe it’s just easy to be bitter that Mel Brooks only won a single Academy Award.

Who was Oscar? The story of Emilio Fernández

Once again, as the Academy Awards are less than a week away, Oscar fever is reaching a frenzy. This time, we turn our attention to the statuettes themselves. Who was Oscar? Why is he naked and holding a sword? Pop culture radio website Studio 360 recently unearthed the story of the man on which the … Continue reading “Who was Oscar? The story of Emilio Fernández”

Pop culture radio website Studio 360 recently unearthed the story of the man on which the award is based. His name was Emilio Fernández, and he was a notable Mexican actor whose tumultuous life led him from rebellion during the Mexican Revolution to directing the Cannes-winning María Candelaria. His close work with film star Delores del Río put him in contact with Cedric Gibbons, the artist who designed the Oscar. Fernández modeled for the award, and after the design was sculpted by George Stanley, Fernández’s contribution was largely forgotten.

This doesn’t explain the name Oscar or the sword-wielding nudity, but it is a fascinating story that’s well worth a listen. We look forward to watching the Fernándezes this Sunday!

We’d like to thank the Academy for this infographic

The Oscars are almost upon us, and with only a little over one week to go (!), the floodgates have opened on Oscar trivia. Every year we find a new batch of unusual award-related studies, like last year’s breakdown of trailer lengths. This year, Slate has analyzed twelve years of actors’ and actresses’ Academy Awards … Continue reading “We’d like to thank the Academy for this infographic”

This year, Slate has analyzed twelve years of actors’ and actresses’ Academy Awards acceptance speeches and determined who gets thanked the most. Industry organizations, companies, and agents received the most praise, though most nominees immediately thanked the Academy upon receiving their statue. A decent number of winners thanked their role’s namesake, but only one (Javier Bardem) thanked a specific country. It’s a fun breakdown to see who appears most in the Oscar spotlight.

And yes, as the article title mentions, Meryl Streep has been thanked more times than all religious entities. This is what happens when you get nominated every year.

The Random Oscar Winner Generator is hilarious, necessary

We still have over a month to go before the Oscars, but we’re already excited! Questions about their authority aside, the Academy Awards are a fun time to celebrate nearly a century of great films. Let’s be serious though: there’s a lot of hot air involved too. With so many award contenders dealing with serious … Continue reading “The Random Oscar Winner Generator is hilarious, necessary”

We still have over a month to go before the Oscars, but we’re already excited! Questions about their authority aside, the Academy Awards are a fun time to celebrate nearly a century of great films.

Let’s be serious though: there’s a lot of hot air involved too. With so many award contenders dealing with serious themes, sometimes it’s necessary to make fun of the whole endeavour.

To this end, Time’s excellent Random Oscar Winner Generator is a goldmine. Using keywords culled from IMDb for all previous Best Picture nominees, this web widget creates convincing-sounding descriptions for borderline-generic prestige movies. It’s a highly entertaining way to look at the types of films that Hollywood likes to reward, many of which apparently feature gay piano players and orphans from Manhattan.

It’s all in good fun of course, but it’s also vaguely educational. Hopefully this takes some of the bluster out of the buildup to March 2nd.

Seasonal question: How are the Oscar nominees picked?

In case you missed it, the Oscar nominees came out this morning. By all accounts it’s a pretty good list, featuring a wide cut of the most acclaimed films of the year. And Matthew McConaughey stands a chance to win his first Oscar! The question, of course, is how these nominees were even selected. Is … Continue reading “Seasonal question: How are the Oscar nominees picked?”

The question, of course, is how these nominees were even selected. Is it a public vote? Is it a shadowy cabal? Is it just a computer? Realistically, it’s a combination of all three.

The good folks at mental_floss have explained in detail how a film goes from a submission to a nominee. The process is surprisingly complicated, involving voting blocs and formulas that set the threshold for potential nominee. This explains why some of the technical categories only get three or four nominees in some years.

If you were ever curious about what happens in this mysterious process [and why Inside Llewyn Davis was robbed! -ed.], give mental_floss’s article a read for a clearer look. As for the final voting, that’s an entirely different and much more political contest.

The New York Times breaks down Oscar trailer timelines

The art of the crafting a movie trailer has recently become a science. Every smash cut, cliffhanger, fade to black, and fancy shot of an actor’s name has been reduced to a formula that seemingly every studio follows. The New York Times adds a new wrinkle to that analysis by splitting apart trailers for this … Continue reading “The New York Times breaks down Oscar trailer timelines”

The New York Times adds a new wrinkle to that analysis by splitting apart trailers for this year’s Best Picture-nominated films based on when its scenes appear in the movie. A basic formula seems to exist: follow the movie chronologically to introduce the characters and plot, then end with a series of quick cuts through the middle and end to show the major action. With some variance, Silver Linings Playbook and Beasts of the Southern Wild follow this outline fairly closely.

Then there’s ones like Lincoln and Amour that skip around wildly with seemingly no attention to the film’s timeline. Stephen Garrett, a trailer producer that the Times interviewed, suggests that these trailers focus less on the plot than the tone of the movie. They don’t need to follow the plot order if they’re just suggesting a mood.

It’s interesting to see how filmmakers choose to portray their works. Argo is about a story. Amour is about a feeling.