from the trailer for season 4 of The Americans Current great television dramas are dark. We don’t just mean in terms of content, like Mr. Robot or the extremely tense The Americans. They are, literally, dark. Vulture‘s Kathryn VanArendonk wrote a great column about this phenomenon and how this impacts our perception of the shows. […]
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What’s it like to be a woman in cinematography?
via Variety Much has been made about the unfortunately small pool of women directing in Hollywood and lack of the opportunities they are given. Things are even more dire for women in cinematography. According to Vulture, only 2% of cinematographers for major films are women, and none have ever been nominated for an Oscar in […]
Continue readingRIP Douglas Slocombe, prolific Indiana Jones cinematographer
Douglas Slocombe, one of the most adaptable cinematographers of the mid-20th century, died yesterday at 103. Unlike many cinematographers with a distinctive or showy style, Slocombe filmed his projects so closely to the vision of the material that his work was often almost invisible. His far-flung credits are a testament to how smoothly he fit […]
Continue readingThe Real Georges Méliès: Friday, November 18 from 4:30pm – 5:30pm Lower Level of the Library
The Real Georges Méliès Friday, November 18, at 4:30 pm American University Library Media Classroom Lower Level Discover the films of George Méliès, whose life and work structure the story of Martin Scorsese’s HUGO. Professor Despina Kakoudaki will present an overview of early cinema, show and discuss some of Méliès most beloved films, and screen […]
Continue readingChaos Cinema Parts 1 & 2
Chaos Cinema Part 1 from Matthias Stork on Vimeo. Chaos Cinema Part 2 from Matthias Stork on Vimeo. The video essay Chaos Cinema, administered by Indiewire’s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from classical cinema, threaten to shatter the […]
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