New blood or old blood? What experienced directors bring to big movies

You might have missed that a new Steven Spielberg movie came out this year. The BFG was a bit of a flop, a surprise considering the beloved director at the helm.

As movie studios are learning, director choice holds less and less sway over audiences as studios recruit new talent to headline their films somewhat anonymously. Take Colin Trevorrow, who directed Jurassic World after only a few small independent successes. He was affordable, it brought new blood into Hollywood, and frankly, he nailed it. So why would studios hire a marquee name?

Kevin Lincoln suggests in a new Vulture article that the cracks are finally showing in this model. The last two years have been filled with stories of blockbuster movies delayed by reshoots or production troubles, and often, the fingers point to inexperienced directors not accustomed to working with massive budgets under studio control. The horror story behind last year’s Fantastic Four reboot is an extreme case (extensive reshoots, the director openly fighting his producers, and a barely coherent final product), but the benefits of confident directors are becoming clearer in their absence.

Don’t expect Martin Scorsese to direct the next Star Wars movie. But maybe by the next Fantastic Four movie, the director will have more experience under their belt.

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