bell hooks, the trailblazing author, feminist, educator, and activist, died today at the age of 69.
hooks, whose given name was Gloria Jean Watkins, based her pen name on great-grandmother Bell Blair Hooks. She chose to style her pen name in all lowercase letter in order to highlight her message, rather than herself. hooks was a major voice in the American (and international) feminism — she pioneered what is not known as intersectional feminism, and wrote about how gender intersects with race, class, and sexuality in books such as And There They Wept and Ain’t I A Woman? Black Women and Feminism. Her formulations are now a key part of the Fourth-Wave Feminist movement.
During her life, hooks authored more than forty books, including essays, poetry, and children’s books. As a cultural critic, she turned her eye to cinema in Reel to Real, wherein she discussed how films impact individuals, especially black female viewers. She also contributed to several documentaries, including My Feminism and BaadAsssss Cinema. You can find all of these titles on or about bell hooks in the AU Library’s Media collection.
Today we honor Terry Jones, immortal member of Monty Python’s Flying Circus, a tv program which truly needs no introduction. Jones was a founding Python, establishing the troupe along with Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, and Michael Palin. When Monty Python’s Flying Circus premiered in the UK in 1969, the troupe presented … Continue reading “Remembering Terry Jones”
Today we honor Terry Jones, immortal member of Monty Python’s Flying Circus, a tv program which truly needs no introduction. Jones was a founding Python, establishing the troupe along with Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, and Michael Palin. When Monty Python’s Flying Circus premiered in the UK in 1969, the troupe presented a zany, silly, and irreverent sketch comedy show that was both smart… and absolutely ridiculous. There had never been anything like it before, and the show was a hit in the UK and abroad.
Jones is credited as the man responsible for Flying Circus’ surrealist comedy and pacing. Instead of punch lines ending a sketch, Jones often appeared as a naked organist, or he had Graham Chapman barge in dressed in military regalia and declare a sketch “too silly.” Jones also wrote the famous ‘Spam’ sketch.
Even though Flying
Circus only aired until 1974, Jones and the rest of the troupe reunited to
film several movies. Jones co-directed or directed most of the Python movies,
including Monty Python and the Holy
Grail, The Meaning of Life and The
Life of Brian. After honing his directing skills on these films, he went on
to direct other movies, including Erik
the Viking and several documentary series. Some of these documentaries were
based on his own scholarly works, as Jones also found time to publish
monographs on Chaucer. He also wrote over a dozen children’s books.
It’s hard to capture the amazing life of this man in a simple blog post. I grew up watching (selected) Flying Circus sketches, and I can’t count the number of times Jones has made me laugh as Sir Bedivere or Mandy Cohen. He’d also probably hate this obituary, so I’ll just leave you with this:
D.A. Pennebaker, pioneer of American cinema verite and chronicler of 1960s counterculture, died this past weekend at the age of 94. Documentary filmmaking was not Pennebaker’s first career, but his formative experiences and skills uniquely prepared him to spearhead a new type of documentary filmmaking. As a young man, he studied engineering at Yale University, … Continue reading “D.A. Pennebaker, 1925-2019”
D.A. Pennebaker, pioneer of American cinema verite and chronicler of 1960s counterculture, died this past weekend at the age of 94.
Photo by David Shankbone via Wikimedia Commons
Documentary filmmaking was not Pennebaker’s first career,
but his formative experiences and skills uniquely prepared him to spearhead a
new type of documentary filmmaking. As a young man, he studied engineering at
Yale University, and then went on to found Electronics Engineering, where he
helped create the first computerized airline reservation system. It was only
after selling the company that he turned to filmmaking, and he directed his
first film, Daybreak Express, in
1953. Afterwards, he joined a filmmaking co-op and directed documentary shorts
for a wide variety of clients, most notably news magazine programs. During this
time, he and collaborator Robert Leacock invented one of the first portable
synchronous sound cameras. With this new technology, Pennebaker was able to get
up close and personal with the subjects of his documentaries.
Though he made a name for himself with short
documentaries, what put Pennebaker on the map was his groundbreaking 1967 film Don’t Look Back. This film followed Bob
Dylan on his 1965 British tour, and captured the musician as he transitioned
from his acoustic folk routes to electric rock and roll. It’s considered by many to be the first rock
documentary, and the opening sequence the first modern music video.
Pennebaker further cemented his status as counterculture
documentarian with Monterey Pop,
which chronicled the 1967 Monterey Pop festival. In this film, Pennebaker
captured iconic performances from Janis Joplin, Jimmi Hendrix, and the Who.
Pennebaker’s fascination with music didn’t end with the
1960s. Throughout the latter part of the 20th century, Pennebaker
created documentaries around or about David Bowie, John Lennon, the Broadway
musical Company, and my favorite
synth-pop band Depeche Mode.
He received just one Oscar nomination in 1994 for The War Room, a fly-on-the-wall documentary about Bill Clinton’s 1992 presidential campaign. Though he didn’t win, Pennebaker became the first documentarian to receive an honorary Oscar. You can check out all of these D.A. Pennebaker titles from the Media Collection
Don’t Look Back (DVD 2281)
Ziggy Stardust and the Spiders from Mars (DVD 150)
Primary (DVD 13485)
The War Room (DVD 1013)
Dance Black America (DVD 6024)
Timothy Leary’s Wedding: You’re Nobody til Somebody Loves You (Streaming)
Franco Zeffirelli, the famed director behind many a Shakespeare adaptation, died in Rome this weekend at the age of 96. His earliest days seemed to predestine him for the drama he would become celebrated for. Born out of wedlock in Florence, Italy, his mother made up his surname based on a mistranslation of a Mozart … Continue reading “Remembering Franco Zeffirelli”
Franco Zeffirelli, the famed director behind many a
Shakespeare adaptation, died in Rome this weekend at the age of 96.
His earliest days seemed to predestine him for the drama he would become celebrated for. Born out of wedlock in Florence, Italy, his mother made up his surname based on a mistranslation of a Mozart aria. During WWII, he fought with Italian partisans against Mussolini’s fascist regime before becoming an interpreter for the British army. After the war, he studied at the University of Florence, where he got his first taste of the wonder of stage and opera.
By Alexey Yushenkov – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=65018562
He began his opera career in the 1950s, first working as
a production assistant, then set designer, and later directing productions in
Italy and the United States. He gradually
transitioned into theatre, and he directed Shakespeare productions in London
throughout the 1960s. He became known for his lavish sets and lush costuming,
and he carried these hallmarks with him when he began directing films. His
first film, The Taming of the Shrew (1967),
starred Elizabeth Taylor and Richard Burton. The film was a moderately
successful, but his big break came the next year with Romeo and Juliet. This sumptuous film is still considered one of
the best adaptations of Shakespeare’s tragedy, and thousands of American
students watch it every year in classrooms.
After these two early successes, Zeffirelli took a break
from Shakespeare and focused on making more religious films, such as Brother Sun, Sister Moon (1972), and Jesus of Nazareth (1977), which earned
mixed reviews from critics and audiences. After a decade adapting operas for
the big screen, he experienced a sort of career renaissance after the release
of Hamlet (1990), starring Mel
Gibson, and Jane Eyre (1996).
As with many men in Hollywood, Zeffirelli was not without
controversy. He was a demanding, difficult director—some would say abusive, and
allegations of sexual harassment followed him from Romeo and Juliet onwards. Bruce Robinson, who played Benvolio in
that film, later became a screenwriter and based the character of Uncle Monty
from Withnail & I, on the Italian
director.
Zeffirelli will be remembered in Hollywood as beyond as a director who retold our best known stories in sumptuous, lush fantasy worlds. You can find the following of his works in our collection:
Romeo and Juliet (DVD 5806)
La Boheme (DVD 7103)
The Taming of the Shrew (DVD 9159)
Hamlet (DVD 5914)
La Traviata (DVD 2327)
In addition to these DVDs, you can view many of his stage productions through The Metropolitan Opera streaming service, available with your AU credentials.
Doris Day, the acclaimed and beloved actress died this past Monday, May 13th. For many people, Day is the face of post-war American cinema, and is known not only for her films, but her crooning voice. Day was born in Ohio in 1922, and was a near-professional dancer before a car accident shattered her leg. … Continue reading “Remembering Doris Day”
Doris Day, the acclaimed and beloved actress died this
past Monday, May 13th. For many people, Day is the face of post-war
American cinema, and is known not only for her films, but her crooning voice.
Day was born in Ohio in 1922, and was a near-professional dancer before a car accident shattered her leg. Forced to give up dance, she took singing lesson while she recovered, and soon began singing in local clubs. She moved to singing with touring big bands just after WWII, and launched her film career in 1948 with Romance on the High Seas at Warner Brothers. She starred in minor musicals at the studio before landing the lead role in Calamity Jane in 1953.
By the time the 1960s rolled around, she’d stared in
films like Alfred Hitchcock’s The Man Who
Knew Too Much, and began starring in romantic dramas with Rock Hudson, such
as Pillow Talk. Her films were some
of the decade’s most successful, and she regularly topped the box office in the
early 60s.
Despite her commercial success and popular appeal, Day
garnered an interesting reputation. She was consistently characterized as a
sunny, all-American virginal angel, despite the fact that the characters she
played were often anything but. Contemporary feminists panned her, but more
recent feminist critics have re-examined her movies. Almost all the characters
she played in romantic dramas were career women, and they were often more concerned
about their professional success than romantic pursuits.
These themes carried over into her situation sitcom, The Doris Day Show, which aired from
1968 to 1973. Though she began the series playing a widow who somewhat
reluctantly returns to work as a secretary at a magazine, by the time the final
season aired, her children had been written out, and her widow was a seasoned
reporter. The show chronicled the life of an American working woman and would
influence an entire genre of sitcoms and situation comedies.
You can check out these Doris Day films from Media Services:
Calamity Jane (DVD 338)
The Man Who Knew Too Much (DVD 3529)
Young Man With a Horn (DVD 337)
Love Me or Leave Me (DVD 6664)
The Doris Day and Rock Hudson Comedy Collection (DVD 4071)
On March 29th, the world lost Agnès Varda, one of the most quietly influential filmmakers of the 20th (and 21st) century. Varda, who released her first film in 1954, is considered by many to be the ‘godmother’ of French new Wave cinema, if not the first New Wave filmmaker. Her first film, La Pointe-Courte, predated … Continue reading “Remembering Agnès Varda”
On March 29th, the world lost Agnès Varda, one of the most quietly influential filmmakers of the 20th (and 21st) century. Varda, who released her first film in 1954, is considered by many to be the ‘godmother’ of French new Wave cinema, if not the first New Wave filmmaker. Her first film, La Pointe-Courte, predated the first films of Goddard and his ilk by several years.
Festival Internacional de Cine en Guadalajara [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)]
Perhaps the reason some don’t include her in this
movement was that she seemed to unconsciously separate herself from it. Varga
moved to films from photography, and knew little about the broader (and quite
misogynistic) film industry when she released La Pointe Courte, and even when she released her second film, Cleo 5 to 7, in 1961.
Throughout her career, Agnès Varda did what she wanted to
do. Fiercely independent, her signature blend of documentary and story-telling
examined her subjects with empathy and curiosity, inviting her audiences to
examine her characters and her stories. Her techniques, too, were trailblazing.
In Vagabond Varda ‘interviewed’
characters her main character encounters, similar to documentary features. This
technique today is familiar to anyone who enjoys shows like The Office or Parks
and Recreation.
In her later years, Varda moved from her
fiction-documentaries to pure documentaries, such as The Gleaners and I and Faces
Places, which earned her an academy award nomination. Still, these
personal, empathetic films eschewed the hallmarks of a traditional documentary.
With these, as with her earlier works, Varda created something that was all her
own.
You can find most of Varda’s filmography here in Media Services, including:
This week saw the death of two artists, giants in their respective fields. On Monday, Italian director Bernardo Bertolucci died at age 77. Bertolucci rose to fame with the 1973 release of Last Tango in Paris, a controversial film that was earned an X rating after extensive cuts. One of these scenes depicted a middle … Continue reading “Bernardo Bertolucci and Stephen Hillenburg”
By Associazione Culturale Cinemazero from Pordenone, Italia – Bernardo Bertolucci 030, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=24288846
This week saw the death of two artists, giants in their respective fields. On Monday, Italian director Bernardo Bertolucci died at age 77. Bertolucci rose to fame with the 1973 release of Last Tango in Paris, a controversial film that was earned an X rating after extensive cuts. One of these scenes depicted a middle aged man (Marlon Brando) raping his young lover (Maria Schneider), using only butter as a lubricant. Neither Bertolucci nor Brando informed Schneider that this was to take place, as Bertolucci wanted her reaction “not as an actress, but as a girl.” After filming wrapped, Schneider refused to speak to Bertolucci, as she “felt humiliated and… a little raped,” by both the director and Brando.[1]
Bertolucci eventually won the Academy Award for Best Director for 1987’s The Last Emperor, the first Western film made with the cooperation of China’s communist government.
On the opposite end of the entertainment spectrum, we mourn the passing of Stephen Hillenburg, the creator of SpongeBob SquarePants. SpongeBob is the longest running tv show in American History, and has brought joy to generations of children around the world. For those unfamiliar with this ubiquitous sea
By Carlos Cazurro Burgos (http://www.cazurro.com/) – https://www.flickr.com/photos/toonaville/6512337683/, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=30282060
creature, SpongeBob is an enthusiastic, cheerful fry cook who lives in a pineapple under the sea. The show follows SpongeBob and his friends’ adventures and mishaps.
You can find Bertolucci films like The Last Emperor (DVD 4098) and Last Tango in Paris (DVD 4560) in our collection. We also have the first three seasons of SpongeBob SquarePants (DVD 14168, 14169, and 14170). You should definitely check out the second season, which features my favorite episode—“Band Geeks.”
American pop culture lost one of its patriarchs today. Stan Lee, born in 1922, revolutionized the comic book industry, helping it to evolve from a niche industry into cultural force. Lee built an incredible, interconnected world at Marvel Comics, and I don’t know where I’d be personally if I hadn’t had Uncanny X-Men to get me … Continue reading “A Tribute to Stan Lee”
American pop culture lost one of its patriarchs today. Stan Lee, born in 1922, revolutionized the comic book industry, helping it to evolve from a niche industry into cultural force. Lee built an incredible, interconnected world at Marvel Comics, and I don’t know where I’d be personally if I hadn’t had Uncanny X-Men to get me through some rough patches. He was an impressive businessman, creator, and human, and he will be sorely missed.
There will be plenty of great eulogies and tributes in the days to come, but we here at Media Services know Stan Lee for his cameos in most of the Marvel movies. His brief performances always added a spot of levity to the most serious films, and he was always a delight to watch.
You can see Stan Lee in any of these films in Media Services:
Yesterday, Polish director Andrezj Wajda died at age 90. He was among the most distinguished Polish filmmakers of his generation or in general: his accolades include a Palme d’Or for his labor rights film Man of Iron and a 1999 honorary Oscar for his lifetime body of work. As with Man of Iron, many of … Continue reading “RIP Andrezj Wajda, a voice for Poland in film”
Yesterday, Polish director Andrezj Wajda died at age 90. He was among the most distinguished Polish filmmakers of his generation or in general: his accolades include a Palme d’Or for his labor rights film Man of Iron and a 1999 honorary Oscar for his lifetime body of work.
As with Man of Iron, many of Wajda’s works were influenced by his lifetime in Poland during its occupation in World War II and rule over the Soviet Union. Many of his films were challenged or banned by Soviet authorities; he was not able to produce Katyń, a film about a 1940 massacre of the Polish, until after Poland’s independence.
If you want to watch some of Wajda’s impactful, distinctly Polish cinematic vision, we have a number of his films available in the library, including two through streaming.
As with everyone else, we’re saddened by the news of the death of Gene Wilder. He was Willy Wonka, of course, but he was also one of the greatest comedic actors of the 20th century. His collaborations with Mel Brooks and Richard Pryor are all-time classics, and hearing that someone with such a sharp mind … Continue reading “Gene Wilder and his triumphant Mel Brooks comedies”
As with everyone else, we’re saddened by the news of the death of Gene Wilder. He was Willy Wonka, of course, but he was also one of the greatest comedic actors of the 20th century. His collaborations with Mel Brooks and Richard Pryor are all-time classics, and hearing that someone with such a sharp mind died from complications from Alzheimer’s is heartbreaking.
If you only know Gene Wilder as Roald Dahl’s famous chocolatier, this is an opportunity to discover the comedic intensity and chemistry that made him a favorite. We have all of the movies he made though Mel Brooks (though sadly none of his roles alongside Richard Pryor). Wilder has other assorted performances through his career, including stage roles and a bit part in Bonnie and Clyde, and we’ve included them on this list as well.