Hasta la vista, Molly

We have a bittersweet post to share today: after four years of service, Visual Media Collections Coordinator Molly Hubbs is leaving the AU Library. Molly has been an invaluable member of the Media Services team and a backbone of many of our ongoing projects, especially new acquisition processing and the push to digitize our VHS […]

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The Toronto Film Festival had “its blackest edition ever”

As we saw at this weekend’s Emmy Awards, we’re finally seeing what happens when diversity in film goes from being a challenge to an asset. Diversity expands the possibilities of storytelling and filmmaking, and NPR saw that in effect at this year’s Toronto International Film Festival. Normally, the author Bilal Qureshi points out, film festival […]

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Every Frame a Painting looks at the surprisingly unmemorable state of modern film soundtracks

Every Frame a Painting continues to be one of the best online film criticism video series. Usually the channel looks at editing and composition, but this time, creator Tony Zhou turned his sights to a very difficult film question: why are modern film soundtracks so uninspiring? Zhou puts forward a cohesive argument, with the Marvel […]

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Do some TV shows work better un-binged?

So today, a contentious issue came up in Media Services: one of our staff members gave up watching HBO’s Deadwood. One reason it didn’t click, they thought, was that episodes might not play as well when watched one after another. Unlike some shows with slowburn stories that make sense to watch in extended sessions, maybe […]

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Can someone give Mr. Robot a lamp?

from the trailer for season 4 of The Americans Current great television dramas are dark. We don’t just mean in terms of content, like Mr. Robot or the extremely tense The Americans. They are, literally, dark. Vulture‘s Kathryn VanArendonk wrote a great column about this phenomenon and how this impacts our perception of the shows. […]

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