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Media Services at the Movies: The Purge: Election Year

The summer blockbuster season is here! “Media Services at the Movies” will look at what big movie is coming out this week, then offer a few movies like it from our collection. To be honest, we dismissed The Purge at first as more thinly plotted horror about people breaking into your house. Maybe it was. … Continue reading “Media Services at the Movies: The Purge: Election Year”

The summer blockbuster season is here! “Media Services at the Movies” will look at what big movie is coming out this week, then offer a few movies like it from our collection.

To be honest, we dismissed The Purge at first as more thinly plotted horror about people breaking into your house. Maybe it was. By its newest, third installment, the series has slowly morphed into political satire. The seeds were always there – the first movie teases that the annual crime spree started as socioeconomic violence – but reviews for The Purge: Election Year say the movie has its sights on bigger targets this time.

Using dystopian scenarios to comment on modern society has been a staple of fiction for a long time (see: 1984), but film in particular loves the genre. You can see similarities everywhere from The Hunger Games and Idiocracy to the ultra-violent movies of Paul Verhoeven. Is it fair to call the class warfare of The Purge an update to The Running Man?

So if you liked where the newest Purge is heading, consider watching some of these other movies where a nightmarish future has more in common with the present than you’d expect.

Gattaca – HU DVD 1949
A Scanner Darkly – HU DVD 2416
Idiocracy – HU DVD 2494
Children of Men – HU DVD 2631
Soylent Green – HU DVD 5731
District 9 – HU DVD 6686
RoboCop – DVD 8164
They Live – HU DVD 9020
Logan’s Run – HU DVD 11104
Silent Running – HU DVD 11609

For our Metroless day: public transit videos from our collection

In an unprecedented move, the entire Metro system is closed today. Whether or not this was the right choice, it means that DC is spending the day without its main form of public transit. There isn’t a documentary about the DC Metro (as far as we know) so we’ve gathered together three timely media items … Continue reading “For our Metroless day: public transit videos from our collection”

Firstly and perhaps most seriously, you can stream Subway City, a documentary about all the people who pass through New York’s underground rail system. It’s not just about the commuters who use it to get to work but “those who work there, those who live there, and those who commit crimes there.” Infrastructure on the scale of a subway system changes a city, and this film is a neat peek at what that cultural indentation looks like. (And today, you’re seeing what happens when that system disappears.)

Next, for a bit of a laugh, the old newsreel Futuristic Transportation Needs (also streaming) features brief clips of vehicles meant to be the future of transport that missed the mark by a mile. Our favorite is the Aérotrain, the giant Flash Gordon-looking hovertrain pictured above.

And just for good measure, we also have a copy of the How I Met Your Mother episode Subway Wars (HU DVD 11576, Disc 1) in which the main characters try to out-race each other using whatever transportation they can find. The subway-riders don’t win, though mostly because of an emotional forfeit.

The Metro may be increasingly dangerous, but be glad that you don’t have to ride the Aérotrain. Hopefully we’re back to normal tomororw

RIP Douglas Slocombe, prolific Indiana Jones cinematographer

Douglas Slocombe, one of the most adaptable cinematographers of the mid-20th century, died yesterday at 103. Unlike many cinematographers with a distinctive or showy style, Slocombe filmed his projects so closely to the vision of the material that his work was often almost invisible. His far-flung credits are a testament to how smoothly he fit … Continue reading “RIP Douglas Slocombe, prolific Indiana Jones cinematographer”

Douglas Slocombe, one of the most adaptable cinematographers of the mid-20th century, died yesterday at 103.

Unlike many cinematographers with a distinctive or showy style, Slocombe filmed his projects so closely to the vision of the material that his work was often almost invisible. His far-flung credits are a testament to how smoothly he fit into whatever slot he needed to fill: he began as a photojournalist and director of photography for 1940s and 1950s British comedies; he ended his career filming the Indiana Jones trilogy.

Slocombe retired in 1989, leaving behind films ranging from Jesus Christ Superstar to James Bond movie Never Say Never Again. We never even knew he had a hand in much of his filmography, which, given his style, might have been the goal all along.

Slocombe accrued a whopping 80 cinematography credits in 50 years, so we of course have a few in our collection. You might not see a signature Douglas Slocombe stamp on these films, but you’ll certainly see a well-shot movie.

The Man in the White Suit – HU DVD 583
The Great Gatsby (1974) – HU DVD 722
Raiders of the Lost Ark – HU DVD 3251
Indiana Jones and the Temple of Doom – HU DVD 3252
Indiana Jones and the Last Crusade – HU DVD 3253
A Run For Your Money – HU DVD 3923
The Titfield Thunderbolt – HU DVD 3925
The Lion in Winter – HU DVD 5348
Jesus Chris Superstar – HU DVD 5769
The Fearless Vampire Killers – HU DVD 6513
The Italian Job (1969) – HU DVD 10373
The Maids – HU DVD 10823

This year’s Oscars remind about the importance of cinematography

This year’s Oscar nominations are out, with the usual mix of surprises (Mad Max!) and disappointments (whitewashing across the board). But the one incontestable standout out on the list is the Achievement in Cinematography award. 2016’s lineup might be one of the most competitive races ever. It’s too easy to lump cinematography in with the … Continue reading “This year’s Oscars remind about the importance of cinematography”

This year’s Oscar nominations are out, with the usual mix of surprises (Mad Max!) and disappointments (whitewashing across the board). But the one incontestable standout out on the list is the Achievement in Cinematography award. 2016’s lineup might be one of the most competitive races ever.

It’s too easy to lump cinematography in with the technical categories (which is what the Academy does), but this award is one of the most important to the filmmaking process. Directors receive all the credit for how a film looks, but skilled cinematographers are the ones who execute their vision. For examples, read The Beat‘s summary of famous directors and cinematographers who teamed up: when you watch a Christopher Nolan film, the tone and composition of those images were chosen by his cinematographer Wally Pfister. Don’t underestimate a great cinematographer.

All five nominated films are outstanding, and a four in particular represent exceptional achievements and pedigrees.

Robert Richardson’s work on The Hateful Eight was famously the first Ultra Panavsion 70 production in decades, and the work shows.
Mad Max: Fury Road has been considered one of the all-time greatest action movies thanks to John Seale’s surreal camera work.
Emmanuel Lubezki has won the cinematography Oscar for the past two years for good reason, and he stands a chance to repeat for his gripping work on The Revenant.
Roger Deakins’s nod for Sicario is his thirteenth nomination, but the legendary DP has never won an Academy Award yet (?!).

Of the five nominees, only Mad Max: Fury Road is currently available in the library (HU DVD 12486), but Carol, The Revenant, and The Hateful Eight are still in theaters. If you can see all of them, remember that someone sat behind that camera to get those gorgeous – and this year, chaotic – shots.

25 years ago, an Islamophobic film dented the public imagination

On this week in 1991, MGM released Not Without My Daughter, a drama film about a woman and her daughter held captive in Iran. It was hacky, received poor reviews, and generally flopped. It also carried the unusual, regrettable status as being one of the only American films about Iran at the time. For years, … Continue reading “25 years ago, an Islamophobic film dented the public imagination”

On this week in 1991, MGM released Not Without My Daughter, a drama film about a woman and her daughter held captive in Iran. It was hacky, received poor reviews, and generally flopped. It also carried the unusual, regrettable status as being one of the only American films about Iran at the time. For years, it served as one of the few contemporary pop culture depictions of Islam and the Middle East, and as Vulture tells it, that’s an bad legacy.

In the film, an Iranian man effectively imprisons his American family in Iran after rediscovering his Islamic faith. Vulture‘s retrospective goes into the constant harmful portrayal of all these elements, from the vilification of Muslim men to the staging of Iran as an dark place. More troubling is the long-lasting impact of these depictions: reportedly, the film was been regularly shown in schools across the county as a cautionary tale about Iran – and was once even intentionally aired on television before a major soccer match against Iran to fire people up.

Gazelle Emami’s article is a potent example of the ripple effect that even seemingly throwaway media can have on our beliefs and ideology. By all accounts, Not Without My Daughter is a forgettable, low-quality movie. But for a while, its charged representation of Iran and Islam was the only representation of Iran and Islam, and that influenced the public’s perception.

Not Without My Daughter is available from our collection if you want to see it for yourself (HU DVD 2183). As an alternative, we recommend watching an expression of Iran from Iran itself, like the Academy Award-winning film A Separation (HU DVD 10336).

Remembering Bowie on film

Like everyone, we’re shocked and saddened by the death of David Bowie, rock god extraordinaire and cultural icon. Bowie was a true renaissance man who dabbled in music, performance, games, and yes, film. Attempting to quantify all his contributions to the arts is a fool’s errand, but we want to at least acknowledge some of … Continue reading “Remembering Bowie on film”

Everyone probably knows David Bowie best on the screen in the iconic role of Jareth the Goblin King in Jim Henson’s Labyrinth. If that’s any indication, his film choices were eclectic. He also played the starring role in the Japanese World War II movie Merry Christmas, Mr. Lawrence (HU DVD 10689) and was the centerpiece of the ethereal, influential The Man Who Fell to Earth (HU DVD 2658). And you might not recognized his brief appearance as inventor Nikola Tesla in Christopher Nolan’s The Prestige (HU DVD 3831).

Don’t forget the countless times other actors and filmmakers have paid tribute to Bowie’s work, most notably the David Bowie-themed episode of the HBO series Flight of the Conchords (HU DVD 4831). There’s also Velvet Goldmine (HU DVD 687), a film based so closely on David Bowie that the rock star nearly sued the production.

And of course, see Bowie’s self-effacing cameo in Ricky Gervais’s Extras (embedded above, also HU DVD 2992).

We’re glad Bowie brought his enormous talents to film. It’s a shame that he never got behind the camera apart from his music videos.