As much as we enjoy poring over lists of the best films ever made, Aisha Harris and Dan Kois make a good point over at Slate: those lists are overwhelmingly white. And when film buffs follow those recommendations in search of the great art, they’ll watch predominantly white movies. We can lose sight of contributions […]
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Watch AU commencement addresses from years past
AU’s commencement ceremonies this year featured addresses from notable speakers like CNN’s John King and US Attorney General Loretta Lynch. Luckily, since we live in the era of free high-quality web video, you can watch all those on AU’s official YouTube channel. We’ve had a lot of exciting commencement speeches in the years before that, […]
Continue readingEvery Frame a Painting turns inward with a look at the editing process
Tony Zhou and Taylor Ramos’s Every Frame a Painting is one of the best film criticism channels on YouTube. The creators are excellent editors, and the attention they put into the pace and structure of the videos shows. Appropriately, this month, Every Frame a Painting’s new video looks at the editing process. Zhou edits films […]
Continue readingWhy do TV characters who love coffee not actually drink coffee?
Want to ruin every television show you’ll watch for the next week? Look at the cups people drink coffee from. Critic Myles McNutt has noticed the prevalence of people drinking coffee on TV. It’s an easy way to make characters seem relatable and gives them a reason to stand around or meet together. But something […]
Continue readingMovies don’t get worse than watching them on Videodisc
Occasionally, we have a laugh about some of the obsolete media formats we keep stocked behind the desk. We still have a large number of VHS tapes and a handful of LaserDiscs – and even an extremely unloved U-matic player that looks like part of the Space Shuttle. But there’s a format even clunkier than […]
Continue readingKoyaanistocksi is filmmaking out of balance
Here’s a fun one to start off the week: Godfrey Reggio’s Koyaanisqatsi is a striking experimental film that uses footage of nature, people, and technology to convey our often dissociated relationship with the world. It’s an unusual, groundbreaking work that, along with its outstanding Philip Glass soundtrack, has become a touchstone for awe-inspiring cinema. Koyaanisqatsi […]
Continue readingHollywood’s big new technology is 90 years old
As movie theaters search for new technology to drag people into theaters, the latest promise comes from Barco Escape, a three-screen technology designed for “immersive cinema” with a panoramic view or, potentially, action on three different screens at once. But as Dennis Duffy once said, technology is cyclical. These ideas have come up before – […]
Continue readingRocketJump Film School breaks down film cuts
Our staff will be out for a few days for a library conference, so we want to leave you with something substantive to chew on for the week. Enter RocketJump Film School, a film production education group that has been releasing dense, informative videos about specific aspects of filmmaking. It gets pretty wonky; see their […]
Continue readingDavid Lynch evasively answers some questions about Eraserhead in 1979
David Lynch continues to be the favorite director of weirdos everywhere, ourselves included. So much of his appeal is tied to Eraserhead, his terrifying, confusing 1977 feature film debut. Eraserhead still defies explanation and analysis, and fans have for decades attempted to work out the symbolism and meaning of characters like the Man in the […]
Continue readingAtlas Obscura thinks Fritz Lang may have invented rocket countdowns
Life imitates art, but rarely does art have the chance to define the hallmark of a totally unrelated field. For an example of when a film managed to capture the public imagination that strongly, read Cara Giaimo’s article for Atlas Obscura about how German director Fritz Lang essentially popularized the basic ideas of space travel. […]
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