What is world cinema? American’s Cinema UC answers

Under the preview of film professor Jeff Middents (friend of Media Services), AU’s Critical Approach to Cinema University College group has helped on-board new undergraduate students into the world of cinema studies. This year, as a capstone project, Middents asked his UC group to make sense of contemporary world cinema. The UC students produced a […]

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Have a doubleplusgood Orwell Day!

Two years ago, the George Orwell estate declared January 21st “Orwell Day” in commemoration of the anniversary of the renowned political author’s death. It’s a relatively new holiday – this is only the third one – but we can’t help but get in the holiday spirit anyway. The significance of Orwell’s work speaks for itself, […]

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A behind-the-scenes look at how colorists change raw video into beautiful film

Much of the credit for the filmmaking process understandably goes to the directors, cinematographers, and editors, but many technicians work with film behind the scenes to create the final images that you see on screen. This is especially true for colorists. Notable films such as O Brother, Where Art Thou? use extensive color correction to […]

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Does The Wire work in HD? You be the judge

In a move even more controversial than their decision to launch a standalone streaming subscription service, HBO has decided to remaster classic television series The Wire in high-definition widescreen. The show, as directed by showrunner David Simon, was intended to be show in the 4:3 aspect ratio of standard-definition television sets. In the process of […]

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No more lasers? PBS takes on the realism of movie space combat

We might criticize special effects for overstaying their welcome on occasion, but without CGI and crazy miniature work, we wouldn’t have space battles. Watching spaceships shoot lasers and blow up is among the greatest, basest pleasures of movies. Even the Star Wars prequels, superfluous as they may be, have a few entertaining space fights. Color […]

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