Category Archives: Blog post

The North American: A Peace Corps Serenade

Join the Peace Corps…and become an artist’s muse? That is exactly what happened when Cathie Maclin Boyles arrived in Colombia. Boyles served as a nurse between 1974 and 1979; however, her first year must have been one of the most memorable. Boyles recounts one evening at her village’s festival:

“During my first year of service I worked in a very small town on the Mojana River in the Department of Sucre. Once a year the town celebrated its patron saint, Santa Catalina, with a town festival. The year I was there the town succeeded in obtaining Alfredo Gutierrez and his band to perform at the evening celebration.

Alfredo Gutierrez is a Colombian singer famous for his vallenato. Vallenato is a form of folk music, which originated in Colombia on the Caribbean coast and Alfredo Gutierrez is the Johnny Cash of the vallenato. He is still well known and admired today.
As his band was playing during the evening fiesta, Alfredo Gutierrez spotted me, the only Gringa (slang for American woman) in the crowd and asked to dance with me. We danced numerous times during his breaks and he told me that he was going to compose a song for me. He had way too much to drink, but later in the evening he belted out his early rendition of La Norteamericana. Much to my and everyone in the town’s surprise he polished the song and put it on his next album. For months the song played on the radio and I became quite the celebrity in the whole area!”

 English From the United States She has come to this country But Cathie has found her way Into my heart I tell her that I love her And she tells me that she loves me too I don’t understand English But I understand my heart What I never expected To happen to me Was that I would fall in love With a North American I love you, I love you my love Yes my love I love you, I love you my love Yes my love For the pearl of the Mohana! When I told her How much I loved her I told her in Castilian And she answered me in English This Gringa is a goddess A beautiful North American I met her in the Mojana And she will stay in my heart forever What I never expected To happen to me Was that I would fall in love With a North American I love you, I love you my love Yes my love I love you, I love you my love Yes my love Spanish (Original) De los estados unidos Ha llegado a esta nacion Pero Cathie se ha metido Dentro de mi Corazon Yo le digo que la quiero Y ella me dice que si El ingles yo no entiendo Pero mi Corazon si Lo que yo menos pensaba Que me pudiera pasar Que me fuera enamorar De una Norteamericana I love you, I love you my love Yes my love I love you, I love you my love Yes my love Para la perla de la Mojana! Cuando me le declare Que mucho la estaba amando Se lo dije en castellano Y me contest en ingles Esa Gringa es una diosa Linda Norteamericana La conoci en la Mojana Y en mi Corazon reposa Lo que yo menos pensaba Que me pudiera pasar Que me fuera enamorar De una Norteamericana I love you, I love you my love Yes my love I love you, I love you my love Yes my love

Boyles finished her first two years of service in Sincelejo, where she worked with the Ministry of Health to teach rural health programs, train local midwives, and supervise child vaccinations. After extending her service for two additional years, she became a nursing supervisor in a small regional hospital outside Bogota.

Boyles donated her original album by Gutierrez to the Peace Corps Community Archive in 2019.

Listen to Gutierrez serenade Boyles in “La Norteamericana”:

Proudly Serving: the LGBTQ+ Volunteer Experience

Even as we move into November, I would like to return to October. Many may know it as a month of horror movies, candy, and spooky decorations, but it also happens to be Lesbian, Gay, Bisexual, and Transgender History month.

I originally intended to highlight stories about LGBT+ volunteers serving in the Peace Corps—the only issue is that donors do not usually disclose their sexual orientation or gender identity when offering  their materials to the PCCA. However, we do have some items related to heterosexual couples and marriage during Peace Corps service. You can view the corresponding blogs here and here.

Since the PCCA is home to  personal collections for over 200 Returned Peace Corps Volunteers (RCPVs), I have reason to believe that at least a few identify within the LGBT+ community. Yet, even if I were to find traces of homosexuality or transgender experiences, it feels unethical to disclose personal information without the donor’s permission.

That said,  I poked around online and found quite a few Peace Corps groups that offered guidance and support to LGBT+ volunteers, as well as blog posts written by LGBT RPCVs.

Julie Andrews as Queen Clarisse Renaldi in Princess Diaries 2 says

The Princess Diaries 2: Royal Engagement, 2004.

In this belated LGBT+ history month post, I want to formally request Lesbian, Gay, Bisexual, Transgender, Queer, and Asexual RPCVs (From 1961 to present-day) to consider donating their materials to the PCCA so that we can represent a vast array of PCV experiences.

I would also like to emphasize the incredible work of Jim Kelly and the Lesbian, Gay, Bisexual, Transgender Returned Peace Corps Volunteer Association, while touching on the milestones of LGBT+ Peace Corps history.

A Brief LGBT+ History of the Peace Corps

In many countries around the world, identifying openly (or “coming out of the closet”) as gay, lesbian, bisexual, or transgender is illegal. In others—including the United States— LGBT+ continue to face discrimination, violence, and even death. Those who appear to fit into the heterosexual societal expectations of gender and sexuality incur the trauma of loneliness and shame from the lack of recognition and acceptance for who they are. LGBT+ Peace Corps Volunteers often have to choose between the call to “promote world peace and friendship” and their own mental or physical health.

When Kennedy created the Peace Corps in 1961, the organization’s stance on homosexuality corresponded with that of the United States federal government. During the 1950s and ‘60s, the United States collectively feared Communist spies. Government agencies rooted out potential security breaches, focusing largely on anyone suspected of being a homosexual.

In this cultural environment, RCPV Jim Kelly applied for the Peace Corps. Kelly recounts the application process and facing the survey question: “Are you a homosexual?”

For a young gay man in the 1960s, his only option was to commit perjury—and convince all of his friends to lie as well. While he enjoyed his service in El Salvador, Kelly mentioned feeling anxious of discovery and lonely for a community supportive of his true self.

Listen to Kelly’s 2017 interview at OUTSpoken in Chicago:

Fast forward to 1992, Kelly completed a master’s thesis called “Hidden dimensions of diversity: gays and lesbians in the Peace Corps,” where he interviewed 80 RPCVs and recommended widespread institutional changes to the Peace Corps. Kelly’s study was foundational to initiating worldwide conversations around sexual orientation and gender identity within the organization.

The National Peace Corps Association currently encourages LGBT+ applicants and same-sex couples to serve abroad. Considerably more resources and support systems are available to volunteers during their time overseas, however individual experiences vary depending on the person and social climate of the country. Presently, the Peace Corps reports 18 countries with medical clearances to support HIV+ volunteers and allows applicants to choose specific countries of service.  

Do you identify as a LGBTQ+ Peace Corps Volunteer? The PCCA is interested in preserving your materials and understanding how your identities shaped your service. We accept both digital and physical blogs, journals, correspondence, videos, photographs, training materials, and more! Reach out to us at archives@american.edu.

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Reconnecting with Heritage: The Peace Corps and Cultural Identities

When President Kennedy signed the Executive Order to establish the Peace Corps in 1961, he sought to “encourage mutual understanding between Americans and people of other nations and cultures.” Kennedy’s words echoed in the ears of those who lived during a decade of social tension and Cold War anxieties. Since the 1960s, the Peace Corps has trained and placed more than 235,000 volunteers, all joining for their own personal reasons: for peace, to improve the lives of others, and to learn new cultures. Several volunteers: Carolyn Gullat, Clinton Etheridge, Yancy Garrido, Shawnette Brandt, and Amina Johari, shared their desire to benefit the countries of their ancestors and reconnect with their heritage.

Carolyn Gullat is a Black Peace Corps Volunteer from Washington, D.C. She served as a teacher in South India from 1966-1968. Gullatt describes her choice to join the Peace Corps in an interview from Jonathon Zimmerman’s “Beyond Double Consciousness: Black Peace Corps Volunteers in Africa, 1961-1971,” featured in the December 1995 issue of the Journal of American History:

“For most of her own college career, Gullatt recalled, she had dismissed the Peace Corps as ‘for whites only.’ Then she met a Black recruiter, who ‘didn’t run down the usual jive propaganda about how nice it is to help people.’ Instead, ‘he talked about how I, as a Black person, could get ‘home’ and join with the Brothers and Sisters’ abroad, where ‘people have grown into Black pride naturally, where Black power is the status quo, and Black action is a working reality.’

“’Each year the Peace Corps sends hundreds of white ‘do-gooders’ to ‘help’ Black and Brown people throughout the world,’ Gullatt complained. ‘Black Americans owe it to themselves and to the Brothers and Sisters in developing countries to get up and get involved.’ – Page 1000, interview with Carolyn Gullatt by Donald M. Feeney, c.1971.

Clinton Etheridge joined the Peace Corps in 1970 and became the first African-American PCV to serve in Gambia, West Africa. Read more about Etheridge’s experience in an interview with Peace Corps Worldwide.

“I was a secondary school math teacher in Peace Corps Gambia from 1970-1972. I grew up in Harlem, came of age during the Civil Rights Movement, and was a black student leader at Swarthmore College in the late 1960s. Like many young blacks of that generation, I wore an afro and dashiki and was ‘black and proud’ and fascinated with Africa. I joined Peace Corps Gambia seeking my own answer to the question ‘What is Africa to me?’ posed by Harlem Renaissance poet Countee Cullen in his 1925 Heritage.

“I started out asking the question, ‘What is Africa to me?’…Then I asked the question, ‘What am I to Africa?’ when that Latrikunda schoolboy told me he didn’t have the math book to do the homework with because his father was ‘a poor Gambian farmer.’ Then, as a Stanford SEED business coach, I came to the conclusion that, moving forward; an important question will be ‘What is Africa to the world?’”  “What is Africa to Me?” National Peace Corps Association, June 4, 2018.

Yancy Garrido was born to Cuban parents who immigrated to the United States during the Cuban Revolution. Between January 1987 and August 1990, Garrido served as a Peace Corps Volunteer in Honduras within a community mental health program. In his interview with the Oral History Project at the John F. Kennedy Presidential Library, Garrido explains his personal desire to serve in Latin America.

“I’m the son of Cuban refugees. My parents left Cuba because of the Cuban Revolution. Actually, would probably have never met if it had not been for the United States because my mother was the daughter of Batista’s diplomatic photographer—no one of high importance in the government, but still in the government—and my father cut sugar cane on a farm…But they met in New Jersey. And so, always in my mind was just being thankful for living in the United States. For having opportunities that I never would have had. So it was always in my mind, “How could I give back?”—not necessarily Peace Corps at the time, but to Latin America and represent my country…

“When the Peace Corps Volunteer came, the way they spoke about the experience was exactly what I wanted…The way it was pitched, I never thought Peace Corps was going to appeal to me…Once I spoke with the volunteer—they went “No, no, no—don’t get stuck with the messaging. You’re really going and working another country and you are trying to see if you can add value. And, if all goes well when you leave you’ll have helped establish something and people will continue that project without you.” The idea was to help get things started, not to actually take the place of someone. Because the last thing I wanted to do is take someone’s job.”

“So I applied, and of course my professors did not want me to go. They were grooming me to go get my doctorate and go be a professor of Spanish literature. My parents did not want me to go because they said “We left Latin America for you. Why are you going back?” But I went, and it’s the best decision I ever made in my life.”

Shawnette Brandt served in St. Lucia, Eastern Caribbean from 2013-2015. She speaks about her experience in the Peace Corps Stories blog on February 9, 2015:

“I was born in the United States and I am Guyanese. Although I had never been to Guyana, which was quite embarrassing to say especially around fellow Guyanese, I have always had a strong desire to visit the land of my parents… Even though I was cognizant of my dual American and West Indian heritage and the impact it could have on my work, I didn’t immediately understand the dichotomy of my culture was an asset and, in some cases, became quite a challenge.

“For the first time in my life, I lived in a country where the vast majority of the people looked like me, shared similar foods, music and a West Indian identity. It never occurred to me that I would face xenophobia. I tried to use this as an opportunity to gently challenge their prejudices either by comments and or deeds. I may not have changed minds but perhaps planted seeds for their further growth…Hearing the voices, the English Creole widely spoken all around me, felt more like coming home. And in a sense it was. I now have two countries that are my home.”

Amina Johari’s mother met her father while serving as a Peace Corps Volunteer in Kenya during the 1990s. Johari is currently teaching secondary school in Tanzania. In her 2019 article on the Peace Corps’ Stories blog, she reflects on her desire to understand more of her father’s culture:

“Serving as a Peace Corps Volunteer in East Africa was an opportunity to spend an extended period of time and have a positive impact in a part of the world I consider to be my second home. While I was born in Kenya and spent the first few years of my life there, a part of me always felt that in order to really understand my father’s roots and where I come from, I had to spend more time there than the short trips to Kenya my father took my sister and I on every other year…

While I do think about mom a lot, I think the person I feel like I am really getting closer to is my father. Growing up I sometimes felt confused by my father’s habits, prioritization, and world view. But all that seems to be changing. Every hour I spend working with the kids in the classroom, every tea break I spend in the staff room with my fellow teachers, and every conversation I have with my neighbors in my father’s native tongue, I can feel myself getting a better sense of the boy he was, the man he became, and the person he wanted to be.  – Amina Johari, “Why the Peace Corps? Reconnecting with my East African Heritage,” PeaceCorps.gov Stories, July 17, 2019.

Sometimes serving in the Peace Corps offers you the opportunity to follow the legacy of your parents, expand your understanding of ancestral culture, or give back to the country you’ve heard about so many times. No matter the reason, every Peace Corps Volunteer brings countless identities with them during their service. So, how does your identity impact your decision to go abroad and your relationships with those you meet along the way?

Find out more by visiting the National Peace Corps Association website, John F. Kennedy Presidential Library’s RCPV Oral History Project, and us—the Peace Corps Community Archive.

Answering the Call: Exhibiting at the Kennedy Center’s REACH Opening Festival

What did you do last month? Associate archivist Leslie Nellis, American University library consultant Robert Newlen, and I took the archives on the road for the opening festival at the REACH building of the Kennedy Center. The event was a collaboration between the National Peace Corps Association (NPCA), the Returned Peace Corps Volunteers of Washington, DC (RCPV/W), and the REACH.

The PCCA exhibit features several posters on easels behind a blue table with seven more documents, two binders, and an IPad. A woman stands in front of the exhibit. Robert Newlen and Leslie Nellis stand behind the exhibit to answer questions.

Robert Newlen (left) and Leslie Nellis (right) speak with visitors about the Archives, September 22, 2019

In a room known the Peace Corps Place, PCCA launched “Answering the Call” –a temporary exhibit highlighting RCPVs experiences using their donated materials. Sixteen other exhibitors joined us, including booths by the Peace Corps Oral History Project and the Museum of the Peace Corps Experience.

We spent the day greeting visitors and describing our efforts to collect, preserve, and make available the materials donated by RPCVs. Close to 300 visitors—many of them RPCVs with their families—flipped through examples from the current collections, listened to Geer Wilcox’s recorded letters sent home, and shared their own memories of their time in the Peace Corps.

Packing lists from the ‘80s spurred conversations between old and new RCPVs about what has changed and what has not. One woman laughed and said “They told me to pack a meat-grinder.” Others snapped photos of President John F. Kennedy’s 1961 letter to volunteers or the poster that read “She taught me how to write my name, I taught her how to say it.”

Merged photo of two women. One holds a signed postcard and the other holds a binder with the same image featured on the postcard.

RCPV woman (left) and Debby Prigal (right) pose with Prigal’s donation.

About halfway through the day, RPCV Debby Prigal discovered her own donated materials within the exhibit and reproduced on free postcards. “That’s me! That’s mine!” She exclaimed, pointing at her entry in the copy of a “Close of Service” Newsletter. For a moment, Debby achieved celebrity status as others asked for her to autograph their postcards.

The entire day was a perfect example of PCCA’s goals to enrich the Archives through partnerships with Peace Corps affiliates, exhibit materials that document the impact of individuals who volunteered, increase the awareness of the history of the Peace Corps, and of course, make some new friends!

If you or someone you know is interested in finding out more about donating to the collection, please visit the “Donate” tab or email us at archives@american.edu.

Playing in the Archives? A glimpse into the board game “Join the Peace Corps!”

This summer, Returned Peace Corps Volunteer A. Michael Marzolla donated materials from his service as an Agricultural Cooperative Volunteer in Guatemala and El Salvador. One of my first tasks as the 2019-2020 PCCA Fellow was to organize Marzolla’s collection, which featured his hand-drawn educational graphic books and a homemade board game titled “Join the Peace Corps!”

The game includes Marzolla’s hand-drawn board and 42 cards within twelve categories separated by themes: the application and acceptance process, training, on the program site, the termination process, and readjusting upon return to home country.

As I sorted the game cards and read the directions, I was struck by a flurry of questions about the game’s origins. Luckily, Marzolla agreed to answer my burning questions about the history of the game:

"Join the Piece Corps!" Game Board, hand drawn in the shape of a dove carrying and olive leaf.

“Join the Piece Corps!” Game Board, A. Michael Marzolla

I designed “Join the Peace Corps!” while working as a recruiter in Boston circa 1978-1980. I wanted to create a game that would simulate the Peace Corps experience from application through training, placement and in-country to the close of service. I had input from my RCPV recruiter colleagues, friends, and contacts so that every card was based on an experience someone had as a volunteer. The game was played three or four times—sadly, it was never published although people who played the game seemed to enjoy the experience.

With 42 different card options, Marzolla presented an amusing repertoire of experiences, from “you begin adopting local dress and customs” to “you are accused of being a spy for the CIA.” Both cards contribute to the historic context of the game and reflect true or rumored events within the Peace Corps. For example, when certain host countries accused Peace Corps volunteers of spying for the U.S. government, the CIA released a statement in 1965 that publicly barred volunteers from gathering military intelligence for any country in which they volunteered (however this lapsed after 5 years of resignation).

Arrow points to game board square and reads "You want only a warm sunny country with sandy beaches. You ask if the PC supplies suntan oil. Go back one and miss a turn."

“Join the Peace Corps!” Game Board Tile

The game also clearly punishes the negative qualities of a potential volunteer, represented in the board tile: “you want only a warm country with sandy beaches. You ask if the PC supplies suntan oil. Go back one and miss a turn.”

Of course, I immediately wanted to play this game. Associate archivist Leslie Nellis and I contacted local RPCVs and a few others from the American University community to join us. Library staff Matthew, Sarah, and RCPV Alayne agreed to help us try it out.

From left to right: Sarah, Matthew, and Leslie play "Join the Peace Corps!" with game board in front of them.

From left to right: Sarah, Matthew, and Leslie play “Join the Peace Corps!”

On Wednesday, September 11, we assembled in the archives processing room. Aside from difficulties shuffling the cards and defining when to move forward, the game was an enjoyable glimpse into the Peace Corps. We looked to Alayne to compare her own experiences as a volunteer in Nepal with the stories feature on the game board. She found that the lengthy application period and digestive complications upon arrival were true to form.

Enjoyment value aside, Marzolla’s game introduces an interesting aspect of archival materials. Whereas archives traditionally collect, preserve, and share materials for research purposes, interactive items such as board games challenge the definition of what it means to “share” collections. Thanks to Michael Marzolla and his donation, we were able to consider these complexities while rolling the dice.

Wilcox in Dominican Republic Podcast Part 2 – Footprint

In his second year with the Peace Corps, Geer Wilcox changes his approach to development volunteering.  Rather than working directly with the students, he begins to work with the infrastructure of the school, hoping that developing infrastructure will last longer than work in the classroom.  Listen to the podcast below to hear straight from the source his reasoning and to understand how the Dominican Republic changed him, in return.

Music in this audio production was written by Kevin MacLeod.  The tracks used are “Notanico Merengue,” “Hackbeat,” and “Laid Back Guitars.”  To play the podcast, click to the far left of the black media bar.

With this, the 2018-2019 “season” has come to an end.  It has been an incredible experience to be the PCCA Fellow this year and to work with these collections and stories.  I want to thank several people, without whom I would not have been able to fulfill this role.  First, I want to thank Leslie Nellis.  As my mentor, she taught me everything I know about archives, and as my friend, she made this office an incredible place to work throughout my master’s program. I am grateful to her interest in and support of making the most of my fellowship this year.  It was with her help that I traveled to Morgantown, WV to present at the Mid-Atlantic Regional Archives Conference, by her suggestion that I curated exhibits for our hallway, and with her blessing that the blog has become as multi-media as it has.  I would also like to thank Dan Kerr and Trevor Owens who taught me the research and project-oriented history methods I utilized this spring semester.  Online exhibits and podcasts  wouldn’t have been possible if it had not been for them.  I am eternally grateful to the donors who shared their experiences with the PCCA and who allowed their materials and stories to be shared through our online media. Finally, I would like to thank you, dear readers, for coming with me all this way.

Wilcox in Dominican Republic Podcast Part 1 – No Progress

Most of the Peace Corps Community Archives are textual documents and other visual media.  However, not all volunteers wrote their letters home; many sent audio tapes back and forth, and for some it was their main form of communication.  This audio production is based on the Geer Wilcox collection.  Wilcox served in the Dominican Republic from 1963 to 1965.  This production spans the first half of the collection, and you can look forward to the second half in April.

In the tapes, Wilcox discusses his efforts and frustrations in realizing his Peace Corps and personal goals while working with the National School for the Blind.  But, we want to know all about your experiences, as well!  If you’ve ever felt stuck in the Peace Corps, or at work, or in another kind of big project, tell us all about your experience in the comments!

“Play” button is located to the far left of the audio bar.

Music in this audio production was written by Kevin MacLeod.  The tracks used are “Notanico Merengue” and “Laid Back Guitars.”

Developing Volunteers Exhibit

As promised in the last story post, here is the newly-digitized exhibit which had been featured in at the AU Archives between October 2018 – February 2019.  The Developing Volunteers exhibit shares themes, examples, and ideas with another blog post, The Making of Global Citizens, but explores the artifacts in a different way.

Please enjoy this exhibit and I hope you will tell us if you’ve ever felt the same.  Have you ever lived abroad or experienced tremendous change which left you with a different perspective?  Tell us about it in the comments below!

Services Asked for, Given, and Received

For this next installment in the PCCA blog, I have decided to try something a little different.  For the last several months, I have worked on expanding the kinds of interpretation that can be done with the collections, including editing reel-to-reel tapes into digital podcasts and putting both visual and auditory media into exhibits.

In the AU Library Archives, we have a three-case exhibit space where small exhibits can be displayed.  If you follow the blog and live near DC, I encourage you to stop by and see in person how these items come together to tell slice-of-life stories about the PCV experience.  But, since many of our lovely readers do not live in the DMV area and since exhibits rotate, the exhibits are now going digital, starting with the current exhibit, Services Asked for, Given, and Received.

This exhibit explores the disconnect that sometimes occurred between what a PCV thought they would do and what they were asked to do, and the disconnect between what a partner government or community wanted from their volunteers and what they received.  This tension shows up in several of the collections, but featured here are pieces from the Geer Wilcox, Gail Wadsworth, Debby Prigal, and Ann Holmquist collections.

I hope you enjoy this little exhibit, and we would love to hear from you and your experiences.  So, what about you?  As a PCV, have you ever experienced this kind of disconnect?  Or in any other line of work?  Let us know in the comments!

Experience over Patriotism: the Benefit of Volunteers who Know Themselves and Know their Profession

Most Peace Corps Volunteers are recent graduates of college or university, but many volunteer after retiring.  In fact, in Moldova 27, which left in 2012, there were “8 [volunteers] over 60 and an equal number in their 50s.”[1] The Peace Corps Community Archives holds the Elizabeth Krakauer collection, (Colombia, 1975-80) and the Jan and Leslie Czechowski collection (Moldova, 2012), all of whom retired before beginning foreign service.  These tours of service were strengthened by the volunteers’ careers, experience, and their self-knowledge which enabled them to live a sustainable life in another country.

A sustainable lifestyle starts with physical comforts.  The Peace Corps experience is infamously shy of creature comforts, but this is not the same as having one’s needs met.  For example, after expressing their difficulty with the outhouse, Jan and Leslie wrote in their blog,

[2]

 

By asking to be accommodated, it was seen to that the Czechowskis could continue to serve in Moldova.

Comfort is also important in social situations.  Many PCVs spent time with each other, but both the Krakauer collection and the Czechowski collection reflect a tendency to distance themselves from their younger counterparts.  Leslie Czechowski writes,

[3]

 

Krakauer also kept a distance from her younger colleagues.  She reflects, “I give in to my age and don’t participate in the drinking parties nor in the trips into a warmer climate during weekends.”[4]  This reflects a reasonable preference for company of their own age.

Distance from the other PCVs was, in some ways, a boon to their service.  Both Krakauer and the Czechowskis became closer with their coworkers and their host family.  The Czechowskis write,

[5]

 

Spending more time with the hosts and less with other PCVs afforded them more time to enjoy Moldovan culture and to practice their Romanian.  Likewise, Krakauer found new friends at the Biblioteca Nacional.  She writes of her new house,[6]Rather than spending her time with the young PCVs, she spent her time and resources forging meaningful connections with her new colleagues.  Preference for the company of their hosts and colleagues led Krakauer and the Czechowskis to become more integrated with life abroad.

Further, these PCVs tended to be more assured of their beliefs and more prepared to meet people who held different culture and different opinions.  For example, Krakauer was a liberal and Democrat, yet her colleagues tended to be more conservative.  Her observational distance can be seen as she writes,

[7]

 

Her security in herself thus allows her to observe another culture without feeling threatened by it.  However, volunteers were not mere political observers.  In another letter, Krakauer explains the political games which would use her as a pawn;

 [8]

This boundary Krakauer established allowed her to remain neutral in a politically charged and unfamiliar environment.

A final distinction of elderly volunteers is in the superior caliber of their work.  For each, an entire career of experience informed their work abroad.  Krakauer, especially, proved an excellent resource for work with rare books in the Bibliotequa Nacional.  She was so successful that she was offered jobs, lecture opportunities, a book deal, and consulting positions in other Latin American countries.  Such ephemeral projects are not typical to the Peace Corps, so Krakauer explained that the value of her work was in creating systems of knowledge.[9]

Though the Peace Corps administrators prefer quantifiable outcomes, the most important Peace Corps exports have always been qualitative.  One favorite export has traditionally been the American Spirit,[10] but Elizabeth brought something with her much more important than ideals: experience.

Elizabeth Krakaurer’s and Jan and Leslie Czechowski’s service each lasted as long as possible, until they fell into chronic poor health.  Krakauer ended her service after six years only when her progressive osteoarthritis disabled her.[11]

Leslie’s illness, too, ended her and Jan’s experience in Moldova.  Jan writes,

[12]

 

This commitment to the Peace Corps is unmatched and shows incredible commitment to and care for their work and for other cultures.  These volunteers embody the Peace Corps at its finest by engaging purposefully with their hosts and bringing meaningful change to another country.

[1] Jan and Leslie Czechowski, ~Musings From Moldova: Jan & Leslie report on their Peace Corps activities in Moldova 2012~ (Moldova) 13 June 2012. Peace Corps Community Archives: Mixed, Box 1, Folder 4: Czechowski, Jan and Leslie Moldova, 2012, American University Archives and Special Collections, American University Library.

[2] Jan and Leslie Czechowski, ~Musings From Moldova: Jan & Leslie report on their Peace Corps activities in Moldova 2012~ (Moldova) 14 August 2012. Peace Corps Community Archives: Mixed, Box 1, Folder 4: Czechowski, Jan and Leslie Moldova, 2012, American University Archives and Special Collections, American University Library.

[3] Jan and Leslie Czechowski, ~Musings From Moldova: Jan & Leslie report on their Peace Corps activities in Moldova 2012~ (Moldova) 1 August 2012. Peace Corps Community Archives: Mixed, Box 1, Folder 4: Czechowski, Jan and Leslie Moldova, 2012, American University Archives and Special Collections, American University Library.

[4] Letter, Elizabeth Krakauer to Curtis, 19 March 1975, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 3: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1975. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[5] Jan and Leslie Czechowski, ~Musings From Moldova: Jan & Leslie report on their Peace Corps activities in Moldova 2012~ (Moldova) 13 June 2012. Peace Corps Community Archives: Mixed, Box 1, Folder 4: Czechowski, Jan and Leslie Moldova, 2012, American University Archives and Special Collections, American University Library.

[6] Letter, Elizabeth Krakauer to home, 6 June 1975, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 3: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1975. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[7] Letter, Elizabeth Krakauer to Curtis, 23 November 1975, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 3: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1975. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[8] Letter, Elizabeth Krakauer to Krakauers in California, 10 August 1980, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 8: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1980. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[9] Letter, Elizabeth Krakauer to Richard Baca, 23 May 1979, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 7: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1979. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[10] Sargent Shriver, The Peace Corps (Washington: Peace Corps) Peace Corps Community Archives: Gail Wadsworth, Box 1, Folder 1: Application Materials Uganda 1970-72, American University Archives and Special Collections, American University Library.

[11] Letter, Grace Morillo to Peace Corps Colombia, 8 October 1980, Peace Corps Community Archives: Elizabeth Krakauer, Box 1, Folder 8: Elizabeth Krakauer Friends of Colombia, 1975-1980 Correspondence, 1979. Friends of Colombia Archive, American University Archives and Special Collections, American University Library.

[12] Jan and Leslie Czechowski, ~Musings From Moldova: Jan & Leslie report on their Peace Corps activities in Moldova 2012~ (Moldova) 3 November 2012. Peace Corps Community Archives: Mixed, Box 1, Folder 4: Czechowski, Jan and Leslie Moldova, 2012, American University Archives and Special Collections, American University Library.